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Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos

Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos

Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos

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ÐARÛNAS SAUKA<br />

198<br />

paintings invite us into the hidden world<br />

of the subconscious, to the intricate labyrinths<br />

of the kingdom of the dead, and<br />

show the abysses of Dante’s hell.<br />

On the other hand, Sauka’s art successfully<br />

takes its own place in the context<br />

of postmodern art. It is full of the<br />

historiosophic anticipations of global<br />

catastrophe, of the tragic weltanschauung,<br />

of disillusion in the ideals of Western<br />

humanist civilization, of a pessimistic<br />

mood of human solitude and estrangement.<br />

It seems that he is the only<br />

Lithuanian painter who approaches so<br />

closely the tragic, surrealistic attitude of<br />

the exis<strong>ten</strong>tialist philosophers, Kafka<br />

and Soutine. His works are dominated<br />

by the motifs of solitude, and a longing<br />

for the lost paradise.<br />

Finally, Sauka is a unique artist of an<br />

introverted outsider’s kind, confined in<br />

the world of his own subconscious archetypal<br />

visions, separated from the<br />

vulgar day-to-day life, in which he lives<br />

alone and fathoms the depths of his<br />

own subconscious. The artist creates his<br />

own world, which is in conflict with the<br />

Ðarûnas Sauka. Keturpësèias. 1988. Drobë, aliejus. 65 × 75<br />

LOGOS 34<br />

2003 LIEPA • RUGSËJIS<br />

classical aesthetic and ethical tradition.<br />

It rejects many fundamental ideals and<br />

values of Western artistic culture. Here,<br />

beauty is no longer opposed to ugliness.<br />

Here reigns an atmosphere of total pessimism,<br />

estrangement, and disillusion in<br />

classical aesthetics, ethics and ideas of<br />

beauty. Works by the artist are full of<br />

grotesque, ironic allusions to the favourite<br />

topics and motifs of the great artists<br />

of the past. They appear as debris<br />

of the past in the system of apocalyptic<br />

visions.<br />

In pictures by Sauka elements of reality<br />

are strangely interrelated with<br />

phantasmagoric unreal symbols. That<br />

interrelation creates a magical effect.<br />

The subtle painting techniques, borrowed<br />

from the Old Masters of the past,<br />

the various ways of composition, the<br />

masterful manipulation of bright and restrained<br />

colours and halftones are fascinating.<br />

In his paintings, colours express<br />

sensitively the shifts in the subconscious<br />

and show naturalistically the<br />

materiality of the human body and of<br />

other details.<br />

Prof. Antanas Andrijauskas

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