Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
Argi papirusas gali augti ten, kur nėra pelkių? Argi nendrės ... - Logos
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ÐARÛNAS SAUKA<br />
198<br />
paintings invite us into the hidden world<br />
of the subconscious, to the intricate labyrinths<br />
of the kingdom of the dead, and<br />
show the abysses of Dante’s hell.<br />
On the other hand, Sauka’s art successfully<br />
takes its own place in the context<br />
of postmodern art. It is full of the<br />
historiosophic anticipations of global<br />
catastrophe, of the tragic weltanschauung,<br />
of disillusion in the ideals of Western<br />
humanist civilization, of a pessimistic<br />
mood of human solitude and estrangement.<br />
It seems that he is the only<br />
Lithuanian painter who approaches so<br />
closely the tragic, surrealistic attitude of<br />
the exis<strong>ten</strong>tialist philosophers, Kafka<br />
and Soutine. His works are dominated<br />
by the motifs of solitude, and a longing<br />
for the lost paradise.<br />
Finally, Sauka is a unique artist of an<br />
introverted outsider’s kind, confined in<br />
the world of his own subconscious archetypal<br />
visions, separated from the<br />
vulgar day-to-day life, in which he lives<br />
alone and fathoms the depths of his<br />
own subconscious. The artist creates his<br />
own world, which is in conflict with the<br />
Ðarûnas Sauka. Keturpësèias. 1988. Drobë, aliejus. 65 × 75<br />
LOGOS 34<br />
2003 LIEPA • RUGSËJIS<br />
classical aesthetic and ethical tradition.<br />
It rejects many fundamental ideals and<br />
values of Western artistic culture. Here,<br />
beauty is no longer opposed to ugliness.<br />
Here reigns an atmosphere of total pessimism,<br />
estrangement, and disillusion in<br />
classical aesthetics, ethics and ideas of<br />
beauty. Works by the artist are full of<br />
grotesque, ironic allusions to the favourite<br />
topics and motifs of the great artists<br />
of the past. They appear as debris<br />
of the past in the system of apocalyptic<br />
visions.<br />
In pictures by Sauka elements of reality<br />
are strangely interrelated with<br />
phantasmagoric unreal symbols. That<br />
interrelation creates a magical effect.<br />
The subtle painting techniques, borrowed<br />
from the Old Masters of the past,<br />
the various ways of composition, the<br />
masterful manipulation of bright and restrained<br />
colours and halftones are fascinating.<br />
In his paintings, colours express<br />
sensitively the shifts in the subconscious<br />
and show naturalistically the<br />
materiality of the human body and of<br />
other details.<br />
Prof. Antanas Andrijauskas