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Dimensiuni ale limbajului n context carceral

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Secţiunea Limbă şi literatură engleză: Robert Moscaliuc – premiul I; Ana-Maria Năsui – premiul II;<br />

Bogdan Cotiso Nistorică – premiul III.<br />

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ECSTASY OF DREAM, OR A POSSIBLE READING OF BLISS CARMAN’S “LOW TIDE ON<br />

GRAND PRÉ”<br />

Robert Moscaliuc<br />

Conducător ştiinţific: conf. dr. Michaela Mudure<br />

Secţiunea: Limbă şi literatură engleză (premiul I)<br />

Bliss Carman (1861-1929), the “unofficial poet laureate of Canada”, was crowned as Canada’s major<br />

poet even though he has often been considered by the critics a late romantic closely connected in manner and<br />

way of thinking to the representatives of the Lake School romantic poets. In his youth he studied Physics,<br />

Mathematics and last but not least Philosophy. He was mainly influenced by the humanistic, transcendental<br />

work of Ralph Waldo Emerson. Taking into consideration his inclination towards nature and its<br />

representations in the human psyche, he has been perceived mostly as a poet of nature. Although he is not a<br />

nature poet alone, his genius also influenced his approach to man’s social life. His imagination is extremely<br />

sensitive to the influence of his environment framed by the Canadian Maritime, a place which always plays an<br />

important part in his poems. Still, his ‘sometimes’ lack of originality and simplicity of view restrain his poetry<br />

to the expectations of his own age. His philosophy is mainly unitrinianism, namely it is concerned with the<br />

harmony between body, soul, and mind. The linking node of these three elements is Love, the lord of life, the<br />

divine energy that can only be transmitted through the media of the senses – hence, his propensity towards eye<br />

touching imagery. The ideals awakened by it inside the human psyche can only be adequately realised by the<br />

help of reason. Among other works – some thirty volumes of poetry and prose – such as The Poetry of Life,<br />

The Making of Personality, Songs from Vagabondia, his most prolific piece is the volume firstly published in<br />

1893, namely Low Tide on Grand Pré. Its title poem remains his most acclaimed work in verse. These works<br />

have made him one of the most fruitful writers of the Maple School of Poetry.<br />

Low Tide on Grand Pré (the poem) has been alleged as the single nearly perfect poem to come out of<br />

Canada. In this poem, Carman’s greatest strength as a poet lay in his ability to create a sense of mood and<br />

atmosphere and to evoke a strong sense of place by the use of vivid landscape descriptions of the Canadian<br />

Maritime region. Although mainly a nature poem that places under emphasis the effects produced by nature<br />

upon the human psyche, it could also be looked at from the perspective of the epistemological-ontological<br />

problem of perception versus projection, reality versus dream or, in other words, with the mysterious

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