Dimensiuni ale limbajului n context carceral
Dimensiuni ale limbajului n context carceral
Dimensiuni ale limbajului n context carceral
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Secţiunea Limbă şi literatură engleză: Robert Moscaliuc – premiul I; Ana-Maria Năsui – premiul II;<br />
Bogdan Cotiso Nistorică – premiul III.<br />
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ECSTASY OF DREAM, OR A POSSIBLE READING OF BLISS CARMAN’S “LOW TIDE ON<br />
GRAND PRÉ”<br />
Robert Moscaliuc<br />
Conducător ştiinţific: conf. dr. Michaela Mudure<br />
Secţiunea: Limbă şi literatură engleză (premiul I)<br />
Bliss Carman (1861-1929), the “unofficial poet laureate of Canada”, was crowned as Canada’s major<br />
poet even though he has often been considered by the critics a late romantic closely connected in manner and<br />
way of thinking to the representatives of the Lake School romantic poets. In his youth he studied Physics,<br />
Mathematics and last but not least Philosophy. He was mainly influenced by the humanistic, transcendental<br />
work of Ralph Waldo Emerson. Taking into consideration his inclination towards nature and its<br />
representations in the human psyche, he has been perceived mostly as a poet of nature. Although he is not a<br />
nature poet alone, his genius also influenced his approach to man’s social life. His imagination is extremely<br />
sensitive to the influence of his environment framed by the Canadian Maritime, a place which always plays an<br />
important part in his poems. Still, his ‘sometimes’ lack of originality and simplicity of view restrain his poetry<br />
to the expectations of his own age. His philosophy is mainly unitrinianism, namely it is concerned with the<br />
harmony between body, soul, and mind. The linking node of these three elements is Love, the lord of life, the<br />
divine energy that can only be transmitted through the media of the senses – hence, his propensity towards eye<br />
touching imagery. The ideals awakened by it inside the human psyche can only be adequately realised by the<br />
help of reason. Among other works – some thirty volumes of poetry and prose – such as The Poetry of Life,<br />
The Making of Personality, Songs from Vagabondia, his most prolific piece is the volume firstly published in<br />
1893, namely Low Tide on Grand Pré. Its title poem remains his most acclaimed work in verse. These works<br />
have made him one of the most fruitful writers of the Maple School of Poetry.<br />
Low Tide on Grand Pré (the poem) has been alleged as the single nearly perfect poem to come out of<br />
Canada. In this poem, Carman’s greatest strength as a poet lay in his ability to create a sense of mood and<br />
atmosphere and to evoke a strong sense of place by the use of vivid landscape descriptions of the Canadian<br />
Maritime region. Although mainly a nature poem that places under emphasis the effects produced by nature<br />
upon the human psyche, it could also be looked at from the perspective of the epistemological-ontological<br />
problem of perception versus projection, reality versus dream or, in other words, with the mysterious