Dimensiuni ale limbajului n context carceral
Dimensiuni ale limbajului n context carceral
Dimensiuni ale limbajului n context carceral
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FORGÁCS Péter: Saját halál. Magyar film, 118 perc, 2007. Irodalmi forgatókönyv, narrátor: Nádas Péter. Forgatókönyv: Forgács Péter.<br />
Producer: Forgács Péter – Szabó Enikő. Operatőr: Nagy András – Forgács Péter. Rendezői konzultáns: Forgách András. Vágó,<br />
trükkfelvételek: Sass Péter. Zene: Dukay Barnabás, Melis László, Víg Mihály. Szereplők: Benkő István, Hárai Ágnes, Novák András, dr.<br />
Kántor István, Szekeres Niki, dr. Balogh Gabriella, Somogyi Gergely, Szalóki Melinda. Forgalmazza: For-Creation Bt., Mátrix Film Kft.<br />
FORGÁCS Péter honlapja: www.forgacspeter.hu<br />
FÜZI Izabella – TÖRÖK Ervin: Narratív tér és narratív idő. In uő: Vizuális és irodalmi narráció. Bevezetés az epikai szövegek és a narratív<br />
film elemzésébe. http://szabadbolcseszet.elte.hu/mediatar/vir/tankonyv/terido/index04.html#befidobeliseg<br />
GENETTE, Gérard: Met<strong>ale</strong>pszis. Az alakzattól a fikcióig. Pozsony, Kalligram, 2006.<br />
NÁDAS Péter: Helen. In uő: Esszék. Pécs, Jelenkor, 1995.<br />
NÁDAS Péter: Saját halál. Pécs, Jelenkor, 2004.<br />
KASSABIAN, Anahid: How Music Works in Film. In uő: Hearing Film. Tracking Identifications in Contemporary Hollywood Film Music.<br />
New York–London, Routledge, 2001. 37–60.<br />
MIHANCSIK Zsófia: Nincs mennyezet, nincs födém. Beszélgetés Nádas Péterrel. Pécs, Jelenkor, 2006.<br />
RÁNKI Júlia: Nem kell a kánonba beilleszkedni. Interjú Forgács Péterrel. Élet és Irodalom. 57. évfolyam, 2007. jún. 8. 23. szám.<br />
http://www.es.hu/pd/display.asp?channel=INTERJU0723<br />
SESONSKE, Alexander: Idő és nyelvtani idő a filmben. Apertúra, 2007 tél. http://apertura.hu/2007/tel/sesonske<br />
VISKY András: A különbözőség vidékén. Jelenkor, 2005. július–augusztus. http://www.irolap.hu/object.3AC31DCC-4DE1-4A2E-AEF8-<br />
57831AAAC930.ivy<br />
TIME STRUCTURE OF PÉTER NÁDAS’ AND PÉTER FORGÁCS’ SAJÁT HALÁL (APPROXIMATELY: HIS OWN DEATH)<br />
Summary<br />
Saját halál, the short story is a narrativization of a liminal experience of Péter Nádas: it narrates about those three and a half minutes<br />
which cannot be narrated (and still) – it tells about that something which happens on the borderline of being and not-being, which has not<br />
been familiar to him until that moment, thus he has to find a notion, a verb to express it. In German: umkippen, in French: basculer. And in<br />
Hungarian? Nádas’ short story and Forgács’ film – among others – is in search of this verb; these works show the explorative use of<br />
language, the search of the verbal and visual representation of this sensuous and other-worldly „travel”, as in this experience everything<br />
has to be redefined: the narrator has to re-position himself in space and time, and first of all: he has to re-create his attitude to space and<br />
time.<br />
Thus, I intended to study the time conception of Nádas’ volume and Forgács’ film (the time horizon of the reception, the time relations<br />
between story and narration, the relationship of voice to visual representation, and all of these aspects in their constellation), paying<br />
attention to particularities of time use in these different media, but also underlying that I did not intend to do it out of a contrastive purpose,<br />
rather than with the purpose of showing how these different media have effects on each other, showing the experience of no man’s land<br />
between them.<br />
Cuvinte-cheie: Relaţie literatură-film, Adaptaţie, Intermedialitate/Multimedialitate, Gesamtkunstwerk, Experienţă liminală, Structură de<br />
timp, Timpul receptării, Timpul evenimentelor şi a naraţiunii, Timpul incripţiunii şi a vocii în film.
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