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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

Dwelling Narrowness:<br />

Chinese Media and its Disingenuous Neoliberal Logic<br />

Haiqing Yu<br />

<strong>University</strong> of New South Wales<br />

In late 2009, a 33-episode television drama called Dwelling Narrowness (Wo Ju) hit<br />

Chinese television and became an immediate runaway success among Chinese<br />

television audience. This TV drama tells of the struggles, twists and turns in the lives<br />

of two Guo sisters who take different paths to escape their plight as “mortgage slaves”<br />

in a fictional metropolis modelled on Shanghai. Haiping, the elder sister, struggles to<br />

stay in the metropolis after graduating from a top university and to buy a home so she<br />

can live with her husband and daughter who has to be sent to their hometown to be<br />

raised by grandparents. Skyrocketing real estate prices push the dream to buy a new<br />

home further and further away from the couple who will have to spend two-thirds of<br />

their combined monthly income to pay the mortgage on a tiny apartment. While<br />

finance becomes a major source of conflict in the relationship of Haiping and her<br />

husband, the younger sister Haizao, who followed her sister to stay in the city, steps<br />

in to help by becoming the mistress of a high-ranking official in the city major’s<br />

office, forsaking her boyfriend with whom she has a de facto relationship. The two<br />

sisters meet different outcomes: Haizao suffers a miscarriage and has her uterus taken<br />

out after being attacked by her lover’s wife, while her lover commits suicide after<br />

being found guilty of corruption; Haiping eventually moves into her apartment,<br />

reunites with her daughter and opens a Chinese language school for foreigners. The<br />

elder sister’s wish to own a home triggers off a series of events in three relationships<br />

(married, de facto, and extramarital) and opens up a microcosm of urban lives in<br />

contemporary China.<br />

The TV drama focuses on the lives of “white collars” (represented by the Guo sisters)<br />

but also features people of different social statuses, including government officials,<br />

business people, laid-off workers, and mistresses. It touches upon some of the most<br />

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