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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

Özal and bought some of the Turkish newspapers. In fact this attempt could be explained as<br />

Turgut Özal’s efforts to create a partisan press. However it did not work and Asil Nadir had to<br />

leave media sector as he could not succeed. In 1990’s, in media sector, oligopolistic media<br />

organizations based in İstanbul got the possession of any kind of diffusion organs and started<br />

to regulate the production, distribution and advertising. So in Turkey this is the period where<br />

vertical, horizontal and diagonal monopoly was present (Özer, 2004). Besides in 90’s and<br />

2000’s, media monopoly cooperated with international corporations and partnerships with<br />

foreign media corporations have been formed.<br />

Today there are 6 big monopole groups in Turkey setting the agenda of the society.<br />

These are Doğan Group, Merkez Group, Çalık Group, Doğuş Group, Çukurova Group and<br />

Samanyolu Group. Groups which marked the last quarter of Turkey by their media activities<br />

are: Doğan Group, Çukurova Group, Doğuş Group, Turgay Ciner Group, Dinç Bilgin Group,<br />

Uzan Group, Erol Aksoy Group, İhlas Holding-Enver Ören Group (Kaya, 2009: 248). Çalık<br />

and Samanyolu groups should be added to these groups. In Turkey media monopoly has<br />

changed hands from time to time. These media monopolies are the owners of broadcasting<br />

channels, radios, daily newspapers, magazines and internet sites and digital platforms.<br />

Additionally they do not own only media institutions they are active in other sectors. For<br />

instance Sabah newspaper’s owner Çalık Group is active in following sectors: Textile, energy,<br />

telecommunication, finance, logistic and technology. Çalık Media called also Turkuvaz A.Ş.<br />

possesses the following broadcasting corporations: Television: ATV, Radio city, Sabah,<br />

Takvim, Günaydın, Yeni Asır, Fotomaç, Bebeğim and Biz Merkez, Sinema Merkez, Home<br />

Art Merkez, Şamdam Plus, Yeni Aktüel, Para, Global Enerji Merkez, Transport, Kukuki<br />

Perspektifler magazines (Kaya, 2009: 264-265).<br />

In 1990’s Turkish television passed by a transition period where commercial<br />

broadcasting became greater. According to Prof. Dr. Haluk Geray (<strong>Person</strong>al interview), Özal<br />

found out he could not effectuate neo-liberal politics with government’s broadcasting channel<br />

TRT so he let his son to be the partner of a commercial broadcasting channel even though it is<br />

against the Constitution. By the way commercial broadcasting era started. During this time,<br />

TV broadcastings were very irregular because of insufficient social, economical, cultural,<br />

educational and legal infrastructure. Even in 2000’s there was not a real system or regulation<br />

concerning the commercial broadcasting in Turkey. It is possible to explain this situation by<br />

Karl Marx’s quotation about feodalism-kapitalism “death catches up the live” (Marx, 2004):<br />

irregularities and chaos of 90’s catches up 2000’s irregularities and chaos in media.<br />

532

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