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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

not by traditions of cinemas. At this point, it seems impossible that a theme be a monopoly of<br />

any national cinema. When a need arises, issues such as whether the technical capacity of the<br />

country’s cinema is sufficient or not, whether the film is absurd or not, or whether it is in<br />

conformity with the traditions of story-telling in cinema lose their relevance. The cinema of<br />

almost every nation harbours the potential to ‘save the world’.<br />

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Raulledge), Trans. Y. Alogan, Sarmal Yay., Istanbul. (In Turkish)<br />

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Tumertekin, Ithaki Yay., Istanbul. (In Turkish)<br />

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Ideology), Anadolu Univ. Yay., Eskisehir. (In Turkish)<br />

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Cem Yay., Istanbul. (In Turkish)<br />

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Kitabevi, Ankara. (In Turkish)<br />

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Politikasi, (Camera Politica: The Politics and ideology at Contemporary Hollywood<br />

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Hollywood Film), Dunya Sinema Tarihi (The Oxford History of World Cinema), Ed. G.<br />

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Yeniden Bakmak (Rewiew on Hollywood), Ed. Y.G. Topcu, De Ki Bas. Yay., Ankara. (In<br />

Turkish)<br />

325

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