11.12.2012 Views

(Person) Percentage - Sabanci University Research Database

(Person) Percentage - Sabanci University Research Database

(Person) Percentage - Sabanci University Research Database

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

assessment of both the appropriateness of the films to viewers choices and convince of the art<br />

people used in various productions became easier and cheaper, as well (Vincenti, 1993: 59).<br />

Genres provide a template for the establishment of narration structure of the films and<br />

their marketing as industrial productions because genres also determine what the content is<br />

(entertainment, romantic, horror, western, comedy) (Yaylagul, 2010: 15). Among cinematic<br />

genres, horror films as an outstanding genre includes many sub-genres which are produced by<br />

using similar elements.<br />

1.2. Sources of Horror<br />

Horror is the most basic feeling of human beings. Human beings who have the basic<br />

instinct to survive meets external stimulus with their perceptional universe expanding. After<br />

this period, the necrophobia which threatens the basic instinct to survive becomes the primary<br />

source of horror. According to Lacan, child who perceive himself/herself as whole with<br />

her/his mother and his/her environment meets cultural codes while passing to symbolical and<br />

looses the wholeness feeling in his/her self (Bakir, 2009:12). As a result of this, he looses the<br />

feeling of security provided by natural period (Coban 2005: 282). The feeling of horror exerts<br />

itself in human being regardless of time and place both in individual and social context.<br />

According to Mannoni (1992: 12), fear is one of the basic excites like happiness, sorrow,<br />

anger, revulsion and is on one hand in biological and on the other hand in emotional<br />

intellectual area. As a reaction fear comes into being with threat of danger and fed by the<br />

worries related to the result of this threat. If the source of danger is concrete, fear is the result<br />

of this danger and can attempt to destroy danger. In cases when the source of danger is not<br />

visible that is when it is abstract, the sources of fear become a part of culture. The very first<br />

source in which mankind expressed their fears are drawings on walls, masks and paints on<br />

faces Mytology is efficient in understanding the sources of fear. According to Scognamillo<br />

(1995:14), legends sagas and stories which are the product of spoken tradition include fears.<br />

Mythology which brings together stories all over world and creates and supports a common<br />

memory all over the world houses fear elements in its own patterns and archetypes. Indefinite<br />

number of super heroes in mythological tales could reach to their aims in spite of darkness<br />

ahead.<br />

349

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!