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The Asian Media & Mass Communication Conference 2010 Osaka, Japan not by traditions of cinemas. At this point, it seems impossible that a theme be a monopoly of any national cinema. When a need arises, issues such as whether the technical capacity of the country’s cinema is sufficient or not, whether the film is absurd or not, or whether it is in conformity with the traditions of story-telling in cinema lose their relevance. The cinema of almost every nation harbours the potential to ‘save the world’. References Abisel, N., (1999), Populer Sinema ve Turler (Popular Cinema and Genres), Alan Yay., Istanbul. (In Turkish) Ahmad, F., (1995), Modern Turkiye’nin Olusumu (The Making of Modern Turkey Raulledge), Trans. Y. Alogan, Sarmal Yay., Istanbul. (In Turkish) Althusser, L., (2006), Yeniden Uretim Uzerine (About Reproduction), Trans. I. Erguden-A. Tumertekin, Ithaki Yay., Istanbul. (In Turkish) Aristoteles, (2002), Poetika, (Poetika), Trans. I. Tunali, Remzi Kitabevi,10.Basim, Istanbul. Benjamin, W., (2009) , Pasajlar (Passages), Trans. A. Cemal, YKY, Istanbul. (In Turkish) Berger, A.A., (1993), Kitle Iletisiminde Cozumleme Yontemleri, (Media Analysis Techniques, 1982), Ed. N. Ulutak, A. Tunc, Trans. M. Barkan vd., Anadolu Unv. Yay., Eskisehir. (In Turkish) Biryildiz, E., (1998), Sinemada Akimlar (Cinema Movements), Beta, Istanbul. (In Turkish) Cankaya, O., (2003), Bir Kitle Iletisim Kurumunun Tarihi: TRT 1927-2000, YKY, Istanbul. Coskun, E., (2003), Dunya Sinemasinda Akimlar (Cinema Movements in World Cinema), Izdusum Yay., Istanbul. (In Turkish) Guchan, G., (1999), Tur Sinemasi, Goruntu ve Ideoloji (Genre Cinema, Photography and Ideology), Anadolu Univ. Yay., Eskisehir. (In Turkish) Monaco, J., (2002), Bir Film Nasil Okunur?, (How to Read a Film?, 2000), Trans.E. Yilmaz, Oglak Bilimsel Kitaplar, Istanbul. (In Turkish) Nowell-Smith, G., Sosyalizm, Fasizm ve Demokrasi (Socialism,Fascism and Democracy), Dunya Sinema Tarihi, (The Oxford History of World Cinema, 1996), Ed. Geoffrey Nowell-Smith, Trans.A. Fethi, Kabalci Yay., Istanbul, ss.385-395. (In Turkish) Ozdemir, H., (2002), Siyasal Tarih 1960-1980 (Political History 1960-1980), Turkiye Tarihi, Cagdas Turkiye 1908-1980 (Turkish History, Modern Turkey 1908-1980), Ed. S. Aksin, Cem Yay., Istanbul. (In Turkish) Ozden, Z., (2004), Film Elestirisi (Film Critic), Imge Kitabevi, Ankara. (In Turkish) Pezzela, M., (2006), Sinemada Estetik (Aesthetics in Cinema), Trans. F. Demir, Dost Kitabevi, Ankara. (In Turkish) Ryan, M., Kellner, D., (1997), Politik Kamera, Cagdas Hoolywood Sinemasinin Ideolojisi ve Politikasi, (Camera Politica: The Politics and ideology at Contemporary Hollywood Film) Çev. E. Özsayar, Ayrinti Yay., Istanbul. (In Turkish) Sartelle, J., Bir Hollywood Gise Filminde Dusler ve Kabuslar(Dreams and Nightmares in a Hollywood Film), Dunya Sinema Tarihi (The Oxford History of World Cinema), Ed. G. Nowell-Smith, Cev.A. Fethi, Kabalci Yay., Istanbul, ss.584-596. (In Turkish) Topcu, Y.G., (2010), Hollywood’dan Kriz Donemi Kiyamet Oykuleri: Felaket Filmleri (Doomsday Stories of Crisis Period From Hollywood: Disaster Films), Hollywood’a Yeniden Bakmak (Rewiew on Hollywood), Ed. Y.G. Topcu, De Ki Bas. Yay., Ankara. (In Turkish) 325
The Asian Media & Mass Communication Conference 2010 Osaka, Japan Corpus Linguistics and The Spectator Paul Brocklebank School of Media Science Tokyo <strong>University</strong> of Technology Katakura-machi 1404-1 Hachioji-shi Tokyo-to 192-0982 cpaulb@media.teu.ac.jp Topic: application of corpus stylistic techniques (keywords and cluster analyses) to the contributions of Joseph Addison and Richard Steele to the eighteenth-century periodical The Spectator 326
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