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The Asian Media & Mass Communication Conference 2010 Osaka, Japan bombardment upon seeing grey clouds on a rainy day and with her running to rescue her husband. The film turns back to point where it started. That is, it starts with the representation of dropping of bomb and finishes with the same representation. Unlike Pearl Harbor Rhapsody in August does not explain political superiorities, justified reasons for war, the beliefs their countries will gain and does not draw definite lines between good and bad. It only tries to show how helpless human being is against badness while trying to tell that the world is full of badness. In Pearl Harbor, while the movie finishes with Evelyn’s words “time pieced together our souls and we pulled round somehow. Everybody understood the power of America. Grandmother Kane cannot pull around and runs to indefiniteness. Time could not pull round her soul. The trauma she experienced exerts itself years after. Thus cinema just as mentioned in the beginning of the study mounts and reflects the elements it collected for real life on the curtain and influences mental worlds of people. It helps to remove ideological doubts. This is an indication of the fact that in spite of artistic features cinema has, it has turned into a political domain as a result of being means of mass communication. Especially at the time of war when great traumas are experienced, cinema, on the one hand, consoles, comforts and cleans off consciences and minds, on the other hand it lead to their questioning. Is the cinema being turned into a device which with the artificial memories it created prevents us from seeing the reality? References Althusser, Louis. (2004) Ideoloji ve Devletin Ideolojik Aygıtları. (İdeologie et Appareils İdeologıques d’etat). Alp Tumertekin, (Trans.) Istanbul: Ithaki Yayınları Althusser, Louis. (2008). Sanat Uzerine Yazılar. (Ecrits sur I’art) Alp Tumertekin, Zuhre Ilkgelen (Trans.), Istanbul: Ithaki Yayınları. Comolli, Jean-Luc. Jean,Narboni. (2010)Sinema/Ideoloji/Elestiri (Cinema/İdeology/Criticism) (Secil Buker Ed.) Sinema Tarih Kuram Elestiri Istanbul: Kırmızıkedi Yayıncılık. 97- 109. Dagtas, Banu. (1999).Ingılız Kulturel Calısmalarında Ideoloji. Anadolu Universitesi İletisim Bilimleri Fakultesi Kurgu Dergisi,16, 335-357. Eagleton, Terry. (2005). Ideoloji (Ideology) Muttalip Ozcan (Trans.), Ayrıntı Yayınları Erkılıc, Hakan.(1997) Sinema ve Ideoloji 12 Eylül Filmlerinin Toplumsal Cozumlemesi Anadolu Universitesi Sosyal Bilimler Enstitusu Yayınlanmamıs Yuksek Lisans Tezi, Eskisehir. Erkılıc, Senem. (2009) Sinema ve Toplumsal Etkilesim: Teknoloji, Sanat ve Seyir. Mukadder Cakır Aydın (Ed.) Sanatlar ve Toplumsal Etkilesim. Istanbul: E Yayınları, 47-73. Guchan, Gulseren. (1993) “Sinema Toplum İ liskileri” Anadolu Üniversitesi İletisim Bilimleri Fakultesi Kurgu Dergisi,12, 51-71. Guchan, Gulseren. (1999) Tur Sineması, Goruntu ve Ideoloji. Eskisehir: Anadolu Universitesi Yayınları. 295
The Asian Media & Mass Communication Conference 2010 Osaka, Japan Guchan, Gulseren.(1992) Toplumsal Degisme ve Turk Sineması. Ankara: Imge Yayınları. Heywood, Andrew. (2007) Siyasi Ideolojiler. (Political Ideologies: An Introduction) Kemal Bayram, Ozgur Tufekci, Husamettin İnac, Seyma Akın, Bugra Kalkan. (Trans.). Ankara: Adres Yayınları. Imancer, Dilek. Seylan, Gızem. (2010). Populer Turk Sinemasında Kentli Kadının Temsili: Issız Adam (Dilek İmancer Ed.) Medya Temsilleri, Ankara: Nobel Yayıncılık, 79-89. Imancer, Dilek. Yurderi Meral. (2010). Televizyonda Yayınlanan Kadın Programlarında Turlerarasılık ve Soylem, (Dilek İmancer Ed.) Medyayı Anlamak Stereotipler Degerler ve Soylem, Ankara: De Ki Yayınları, 109 – 107. Kırac, Rıza.(2008) Film Icabı. Ankara: De Ki Yayımcılık. Lausten, Carsten. Dıken, Bulent. (2010). Filmlerle Sosyoloji (Sociology Through the Projector) Sona Ertekin (Trans.) Istanbul: Metis Yayınları. Mardin, Serif. (1982) Ideoloji. Ankara: Turhan Kitabevi. Ozden, Zafer. (2000), Film Elestirisi Film Elestirisinde Temel Yaklasımlar ve Tur Filmi Elestirisi, İstanbul: Afa Yayınları. Ozkaracalar, Kaya. (2003). Terli Dansoz Gobeginin Dayanılmaz Cazibesi (Deniz Bayraktar Ed.) Turk Film Araştırmalarında Yeni Yonelimler Istanbul: Baglam Yayıncılık. 37- 41. Pearson, Roberta. (2003). Sinemanın Ilk Donemi (History of The World Sinema) (Goeffrey Smith Ed.) Dunya Sinema Tarihi Istanbul: Kabalcı Yayınevi, 30 – 41. Ryan, Micheal. Douglas, Kellner. (1997) Politik Kamera (Camera Politica: The Politics And Ideology Of Contemporary Hollywood Film), Elif Ozsayar, (Trans.). Istanbul: Ayrıntı Yayınları. Scognamillo, Giovanni. (1997) Türk Sinema Tarihi. Istanbul: Kabalcı Yayıncılık. Slattery, Martin. (2008). Sosyolojide Temel Fikirler. (Key Ideas in Sociology) Umit Tatlıcan Trans.) Istanbul: Sentez Yayıncılık. Sozen, Edibe. (1999). Soylem, Istanbul: Paradigma Yayıncılık. Van Dijk, Teun (2004) “Ideology and discourse: A Multi Diciplinary. Barselona: Universitat Pampeu Farba (Online)http://www.diccourse.org/UnpublishedArticles/Ideology%20and%20 discourse.pdf. (08.08.2010). Van Dijk, Teun (2007) “Principles of Critical Discourse Anaylsis. http://www.discourse.org/OldArticles/Principles%20of%20critical%20discourse%20analysis. pdf. (08.08.2010). 296
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(Person) Percentage - Sabanci University Research Database

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