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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

knowledge as image-makers, and contribute their diverse perspectives in the school community<br />

setting at the precise point in time that the 2010 Winter Olympics unfolded in their own locality.<br />

Media Education Case Study: The Vancouver Olympics as a Teachable Moment for<br />

Vancouver Youth<br />

In the context of such a unique and extraordinary moment as the Vancouver 2010 Winter<br />

Olympics, a special opportunity presents itself for schools and students to take part in a global<br />

media event as an immersive learning experience. As an independent scholar and media<br />

educator, I was fortunate on this occasion to be able to collaborate with a curious and<br />

opinionated Grade 8 class of 13-year old teens and their Socials Studies teacher, as well as their<br />

student teacher. I designed the curriculum to parallel their study of historic social issues with<br />

present-day social issues surrounding the Olympic Games. The teacher and student teacher were<br />

valuable in helping to bridge that content and act as additional instructors while I took the role as<br />

lead facilitator for the media education project. The project took place during the same period on<br />

alternating days over the span of approximately one month. In this section I will describe the<br />

project implementation, process, and parameters.<br />

To begin, I conducted a series of capacity-building workshops to enhance the students’ existing<br />

skills in critical thinking, media literacy, and production theory. Starting with their experiences,<br />

we discussed their roles in the media-saturated landscape – specifically, the nature of their<br />

participation in accessing, using, making, editing, sharing, and judging media texts. With my<br />

guidance, we established a collective definition of ‘media literacy’ as our anchor point through<br />

the entire project – a definition that takes into account the value of production and analysis.<br />

There are two aspects to this definition: (1) To understand the complexity of, and question the<br />

nature of, our relationship to the media; (2) To be an active participant of mainstream and usergenerated<br />

media, with a keen awareness of the power and responsibility of that participation.<br />

With this foundation, we practiced deconstructing a variety of media texts, including news<br />

images, advertisements, and international youth-produced videos. I adopted Buckingham’s<br />

(2003) student-centered approach to facilitating critical analysis in media education: “Critical<br />

analysis is seen here as a process of dialogue, rather than a matter of arriving at an agreed or<br />

predetermined position” (p. 14). I encouraged open discussion and interpretation of these texts,<br />

challenging students further with questions about access, participation, circulation, distribution,<br />

representation, and messaging (Buckingham, 2003). These were endeavours in “making the<br />

familiar strange” (Buckingham, 2003, p. 71), to unpack the various elements of media and<br />

understand them as constructions, which may otherwise seem ‘normal’ or ‘natural’.<br />

To provide students the opportunity to examine a variety of dynamics between form and content,<br />

many of the media texts covered a range of social topics and mediums. However, a certain<br />

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