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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

4.Aim and Method<br />

4.1.The Aim of the Study<br />

In this study was undertaken to show how different points of views and ideologies in<br />

films Rhapsody in August and Pearl Harbor are cinematically mounted and aims to reveal the<br />

differences in the way how historically related two events during World War II.<br />

4.2.The Method of the Study<br />

This study is a discourse analysis undertaken to reveal ideological contents of two<br />

films from world cinema which treat World War II. Discourse is related with all dimensions<br />

of life in social, economic and cultural domains. Besides talks and chats, it covers all<br />

communication forms and takes its place among mass communication means (Sozen, 1999).<br />

Cinema is among these means of communication, as well. Filmic discourse reproduces<br />

information and representations about social order and presents them in concrete pictures and<br />

ideologically encodes them to be transmitted to cinema viewers (Ozden,2000:143). Therefore,<br />

in this study cinema is regarded as a means which reflects desires, fears and worries in society<br />

and reconciles them through various mechanisms (Rayn and Kellner,1995:26).<br />

Discourse analysis emerged just as other social sciences which study the function,<br />

structure and duration of text and speech like anthropology, ethnography, cognitive-social<br />

psychology as a trans-disciplinary field of study in the 1960s and 1970s (Van<br />

Dijk,2008:108). According to Van Dijk, discourse analysis is like the tip of an iceberg. Not all<br />

meanings can be explained, only a small portion is explained and the rest of knowledge is<br />

assumed. Therefore, the aim of discourse analysis is to reveal secret meanings (2004:25). Van<br />

Dijk mentions two different approaches about discourse analysis in different texts. These are<br />

critical and ideological discourse analyses (Imancer and Yurderi, 2010:128).<br />

In ideological discourse analysis, Van Dijk regards ideology –which he defines as the<br />

basic beliefs of a group and its members- handles it as false consciousness and wrong belief.<br />

Members of a group who share their feelings and ideas about thought systems defense many<br />

general idea which lie in the basis of worldly beliefs and which shape their explanations of<br />

events and social habits. The most significant social habits are the use of language and<br />

discourse (2010:128).<br />

Van Dijk defined some concepts in ideological discourse analysis and thus determined<br />

categories for ideological discourse analysis and made use of these categories in his analyses.<br />

The basic categories which make discourse analyses more understandable and meaningful are:<br />

Meaning (Headings, Identification level, Implications and assumptions, Local consistency,<br />

Synonymy, Contrast, Telling with Examples, Denying), Proposition Structures (Actor<br />

Identification, The Use of Modals, Confirmation, Riddling, Space), Stylistic Structures,<br />

Sentence structures, Discourse Styles, Argument and Rhetoric (Van Dijk 2004:40-60).<br />

The universe of the study is composed of all films about World War II and the sample<br />

is composed of Pearl Harbor and Rhapsody in August which are among war theme films in<br />

world cinema. The basic reason why these films are chosen is that they are about related<br />

events: atom bomb dropped on Hiroshima and Nagasaki by the US as retaliation for Japan’s<br />

bombardment of Pearl Harbor during World War II. The films which make up the sample are<br />

analyzed by considering Van Dijk’s categories in the framework of the following questions,<br />

and the ideological approach of cinema was determined.<br />

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