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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

The analysis of signing contract when domestic TV stations of Taiwan purchase<br />

foreign programs' copyright<br />

Sheng-Weng Doong a , Min-Ping Kang b<br />

a Department of Communications Management, Shih Hsin <strong>University</strong>, Taipei,<br />

Taiwan<br />

b Graduate Institute of International Affairs and Global Strategy, National Taiwan<br />

Normal <strong>University</strong>, Taipei, Taiwan<br />

brucewengx@gmail.com a , mpkang19@gmail.com b<br />

Abstract<br />

TV programs’ copyright transaction is characterized by high transaction cost,<br />

owing to the asymmetry of information, limited rationality, and opportunism. Both<br />

parties must implement governance to maintain the efficiency of transactions. which<br />

are particularly contract-based so as to protect the interests of buyers and sellers. This<br />

research will take Korean programs as the main body of study and further explore<br />

how to sign a contract in the context of two different program purchasing models, one<br />

is import by agent the other is purchase of Korean work directly by domestic TV<br />

stations .<br />

Although the agents can select the appropriate programs for the domestic TV<br />

stations according to their professionalism, in the case of asymmetric information, it is<br />

important when copyright buyers have to deal with agents and sign a contract, and<br />

when to skip agents and sign a contract directly with copyright holders to avoid risk.<br />

The main idea of this research is to explore the mode of signing contracts with Korea<br />

TV program holders by domestic TV stations in Taiwan.<br />

According to secondary data, we concluded that the buyer usually make a deal<br />

based on the program rating in Korea, and other factors include story, actors,<br />

reputation of company, and the differences of media audience cultural preferences.<br />

But despite of these considerations, there are still a lot of risks for domestic TV<br />

stations, such as whether the price can be in line with their benefit, and whether to<br />

attain the maximized economic benefit.<br />

Therefore, when dealing with different copyright holders, the domestic TV<br />

stations will take a different governance of contract, and select a different channel to<br />

purchase programs. Thus, we propose the model of signing contract for buyer, and the<br />

protection strategy for domestic TV stations based upon transaction cost theory,<br />

secondary data, and field interviews. It is also suggested that advertising plays an<br />

important role in a deal strategy. Whether advertiser supports the foreign programs or<br />

not will influence the decision of domestic TV stations and how they sign a contract.<br />

253

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