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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

sensitive topics yet prevalent phenomena in contemporary China: nail houses, 1<br />

mortgage slaves, corruption, and people who live off parents 2 —all wrapped up in the<br />

setting of a consumerist metropolis. It is not a Chinese version of Sex and City, but it<br />

is a painfully realistic portrayal of contemporary China, or rather, the consequences of<br />

Chinese neoliberal developmentalism. Its painful realism has drawn criticism as well<br />

as applauds. It has generated a heated discussion online among Chinese netizens on<br />

mortgage slaves and its related topics. It has been viewed online and downloaded by<br />

more than 100 million times. Discussions of the TV drama, mortgage slaves and the<br />

plight of China’s upcoming middle class also ranked high in various print media.<br />

DVDs and books of Dwelling Narrowness were the top sellers and for a time sold out<br />

completely. It has also drawn attention from the Chinese government (represented by<br />

State Administration of Radio, Film and Television, or SARFT) and fallen foul of the<br />

censors. The TV drama was pulled off air at Beijing TV and criticized by a SARFT<br />

official for its sensationalizing sex and corruption in order to attract audience<br />

attention. This was met with immediate angry responses from Chinese netizens who<br />

protested against the treatment of the TV drama in all major bulletin board services<br />

(BBS), blogs, and through a cyber vigilance movement called “human flesh search”<br />

to attack that official (see Herold 2011 for a review of “human flesh search”).<br />

Dwelling Narrowness became one of the ten hottest topics in 2009 in China.<br />

This article uses the television drama Dwelling Narrowness to illustrate the inherent<br />

tensions and pitfalls of Chinese neoliberal developmentalism. It examines the<br />

production, circulation and popular consumption of the television drama in order to<br />

illuminate the interplay of the Chinese state, capital and popular aspirations in the<br />

restructuring of Chinese media and communication industries. In such interplay,<br />

neoliberal strategies—as a set of economic policy, cultural structure, and<br />

governmentality—are enwrapped in socialist legacies, traditional values, postsocialist<br />

dilemmas, and prosumer (producer+consumer) desires. Neoliberal techniques and<br />

practices, which are sometimes sincerely and sometimes disingenuously applied in the<br />

1 Nail house is a Chinese neologism referring to households that refuse to make room for urban<br />

development, just like nails that are hard to pull out. See Toy (2007) for a report of the so-called “coolest<br />

nail house in history.”<br />

2 More and more Chinese youths are living off their parents, thus becoming Neets (Not in Education,<br />

Employment or Training) or boomerang kids. Some are laid off workers; some are graduates from<br />

universities who are supported by parents to prepare and pursue postgraduate studies, or search and wait<br />

for jobs.<br />

110

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