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(Person) Percentage - Sabanci University Research Database

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The Asian Media & Mass Communication Conference 2010 Osaka, Japan<br />

compared to Europe- became the center of cinema industry. In 1914, 90% of the films shown<br />

in the world were French originated, in 1928 85% of the films in the world are American<br />

originated (Derman,1995:38).<br />

America using the cinema both as an ideological and an economic device during the<br />

World War II and Cold War dominated the world cinema market with Hollywood made films.<br />

As the number of the profit-oriented films Hollywood cinema made to maintain its dominance<br />

in the market increased similar themes, stories were repeated and thus decreasing interest in<br />

these films led Hollywood to seek new subjects. Hollywood making most of its income from<br />

the films it exports tried to overcome its new subject problem and to preserve its position in<br />

the market by using the cultural codes of Asian countries which potentially forms large<br />

market for films. In this study, the birth of genres in cinema, sources of horror, the<br />

development of horror genre in cinema were explain and in Turkish samples of horror films,<br />

the influences of cinema narration supplied with traditional cultural codes of Far East Cinema<br />

led to the emergence of significant changes in the narration form of general cinematic<br />

discourse in horror type.<br />

1.1.The Birth of Genres in Cinema<br />

With the introduction of sound to cinema, the classical period of Hollywood developed<br />

further as information transfer was based on dialogs. This period also accelerated the<br />

improvement of national cinemas, as well. The language problem in film export was tried to<br />

overcome with subtitle and doubling techniques. In this period, American cinema industry<br />

makes use of a method called studio system, which is a system that enables the integration of<br />

three basic branches of cinema industry: Production, distribution and management (Vincenti,<br />

1993:52). With the establishment of studio system, different occupation groups began to<br />

appear in the filed of cinema and developing expertise structure started to design films to<br />

meet the needs of the market in line with the aim of getting the best commercial result. While<br />

films were classified as A, B series, animation or documentary, they were also further<br />

classified as genres under these classes. The scenarist scriptwriting which has began to<br />

specialize in studio system brought about the design of scenarios using certain typologies.<br />

From now on films were classified according to their themes, characteristics of heroes and to<br />

the era they reflect on the curtain. The classification of films into kinds led to a new way of<br />

the supervision of the films to appear on the market for the studio system. In this way, the<br />

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