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Chapter 8: Skills<br />

Check: Concluding the act of sexual intercourse<br />

or each sexual position, a character must make<br />

a Sexual Adeptness check concerning the quality of<br />

their performance, as does the partner(s). The<br />

higher the roll, the more the character has satisfied<br />

their sexual partner.<br />

Roll 3d10 and apply the average of all relevant<br />

modifiers:<br />

• Bodily Attractiveness (except in darkness)<br />

• Facial Charisma (except in darkness, or<br />

with a sack over the head)<br />

• Kinetic Charisma (except in darkness)<br />

• Contortion SP invested (depending on<br />

the position, and only if Debauchery<br />

exceeds 50)<br />

• SP invested in Sexual Adeptness<br />

• SP invested in the most appropriate Specialty<br />

(such as cunnilingus, fellatio,<br />

etc.)<br />

• Tightness<br />

Tightness: For vaginal or anal sex, tightness<br />

ratio is a major factor of pleasure. To determine<br />

the modifier for tightness, divide Manhood<br />

Circumference by Anal or Vaginal Circumference<br />

Potential. Multiply the result by 100, consider it to<br />

be Base Tightness (BT), and use the following parabolic<br />

formula:<br />

Solve for y.<br />

(BT – 80) 2 = -4y + 120<br />

For example, if BT is 70, then:<br />

(70 – 80) 2 = -4y + 120<br />

(-10) 2 = -4y + 120<br />

100 = -4y + 120<br />

0 = -4y + (120 – 100)<br />

0 = -4y + 20<br />

4y = 20<br />

y = 5<br />

Therefore, the most sexual pleasure is experienced<br />

from a fit that is neither too tight nor too<br />

loose. The result from tightness is averaged with<br />

other modifiers and included in the skill check.<br />

Consult the table below to observe the performance<br />

of your character and the typical impression<br />

made on the sexual partner. Finally, in the case<br />

of multiple partners, a character’s satisfaction may<br />

be considered either partner to partner, or averaged<br />

for the entire experience.<br />

TH<br />

Performance<br />

Typical Impression of the Partner<br />

< 11 D ysfunctional<br />

“Can’t get it up ”<br />

11-12<br />

T errible<br />

“Started yet ”<br />

13<br />

Poor<br />

“ Don't start a conversation<br />

n ow!<br />

”<br />

14-15<br />

Below Average<br />

“ You didn't move, you just la id<br />

there! ”<br />

16<br />

Average-boring<br />

“ Two or three positions is<br />

n ot<br />

enough! ”<br />

17<br />

A verage-interesting<br />

“What was your name again ”<br />

18-19<br />

A bove Average<br />

“Ahh, I needed that and it felt good. ”<br />

20<br />

G ood<br />

“That was a new and exciting position! ”<br />

21-23<br />

E xceptional<br />

“Don't let it end, not yet! ”<br />

24-29<br />

T oe-curling<br />

“I won't be able to walk for days! ”<br />

> 29 G od-like<br />

“Truly a memory beyond this world! ”<br />

374

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