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AL OTRO LADO DEL ESPEJO - José María Álvarez

AL OTRO LADO DEL ESPEJO - José María Álvarez

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195<br />

<strong>AL</strong> <strong>OTRO</strong> <strong>LADO</strong> <strong>DEL</strong> <strong>ESPEJO</strong>. JOSÉ MARÍA ÁLVAREZ<br />

American readers, who inherit this view more directly though<br />

Eliot than through Baudelaire, perhaps, can readily identify with<br />

the many Waste Land images in Alvarez’s poems. The sterility<br />

of the city; the meaninglessp which is so pervasive that it cuts<br />

across all cultures; estrangement from the world; alienation from<br />

other people-all appear in these poems.<br />

Trying now so alone<br />

finally to get right with life<br />

like two people hunted by the police<br />

Learning to die without anyone<br />

How much will one have buried in this life!<br />

I gaze upon a city kneeling<br />

before the mirror of Submission<br />

The floors of a once-crowded club<br />

The waiters<br />

at that hour<br />

when the waiters themselves are drunk<br />

And I sigh<br />

Oh Melancholy<br />

I dance with you when I dance alone<br />

And the poet-speaker, who periodically attempts to be more /<br />

better than the age allows («You asked for / Gilding / I gave /<br />

Gold») ends with an even greater cynicism: «Your whore and I<br />

understand each other».<br />

Alvarez uses the names of many popular heroes (movie actors,<br />

singers, musicians, writers, celebrities) in his poems. The<br />

romantic behind the cynic’s voice often comes through,<br />

suggesting that one can at least turn to these models for comfort.

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