Bet kvailas žmogus įgis supratimą, Kai laukinė a - Logos

Prano Dovydaièio premijai
Gauta 2005-05-10
ANTANAS ANDRIJAUSKAS
Kultûros, filosofijos ir meno institutas
GILES DELEUZE’O ESTETINËS
NOMADOLOGIJOS ERDVËS
The Dimensions of Gilles Deleuze‘s Nomadology
SUMMARY
MOKSLINË MINTIS
This article is intended for the consideration of the originality of the aesthetic ideas of Deleuze. On the
grounds of the analysis of principal teachings, it is shown that the originality of Deleuze’s thinking primarily
became apparent in the entry of aesthetic problems into new fields of knowledge perceptible in his
aesthetics of nomadology and schizoanalysis. Deleuze distanced himself from the “unifying and totalising
paranoia“ peculiar to the tradition of the former rationalist aesthetics, and started speaking about the necessity
of creative and revolutionary thinking inseparable from the invention of new non-classical concepts.
He related that thinking to the authentic way of existence, to the personal position of the thinker,
to his ability to react sensitively to the challenges of the present and to resist the infection of social conformism.
The authentic nomadic thinking appears as the antipode of a sedentary stagnant life, dogmatic
thinking and the comprehension of being. It defies any centralised authority and control. Therefore, it is
free, creative, and independent of traditional theories and dogmas, dissociated from various obligations,
servility, conformism, dogmas, and conventions which oppress sedentary thinking. This understanding is
directed against the worn-out Western metaphysical and modern aesthetic dogmatism, totalitarianism, and
rigid regulations which restrain personal creativity and the spontaneity of the thinker and the artist. In the
article, special attention is given to the writings of Deleuze concerning the aesthetics of cinematography
and visualisation. These writings present not only the peculiar system of aesthetic concepts but also changes
in the 20th-century aesthetic problematic related to the expansion of the aesthetics of the mass media.
Greta R. Barthes’o, M. Faucault ir kos ðalininkas buvo neklasikinës esteti-
J. Derrida átakingiausias poststrukkos tradicijø tæsëjas ir reformatorius Giltûralistinës
ir postmodernistinës estetiles’is Deleuze’as (1925–1995). Ðio Nie-
RAKTAÞODÞIAI. Giles Deleuze, estetika, nomadologija, ðizoanalizë, media.
KEY WORDS: Gilles Deleuze, aesthetics, nomadology, schizoanalysis, mass media.
LOGOS 42
2005 BALANDIS • BIRÞELIS
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