Bet kvailas žmogus įgis supratimą, Kai laukinė a - Logos

SALOMËJA JASTRUMSKYTË
ir iðraiðkingumas. Daugiausia dëmesio
dailininkë skiria plastinëms problemoms
– spalva, forma, ritminës struktûros,
sudëtingi erdviniai santykiai, deformacijos
natûraliai susipina jos kûriniuose.
Aptariamas ciklas liudija, kad
dailininkë áþengia á kokybiðkai naujà savo
dvasinës evoliucijos etapà, kuriame
178 LOGOS 42
2005 BALANDIS • BIRÞELIS
pilna jëga atsiskleidþia jos meninio màstymo
subtilumas.
Labai norisi tikëti, kad ði jauna ir neabejotinai
talentinga naujosios kartos
menininkë, apèiuopusi savo plastinës
raiðkos sritis, nepraras dvasiniø polëkiø
ðvieþumo ir sëkmingai naudos savo kûrybiná
potencialà.
The Symbols of Salomëja Jastrumskytë’s
Subconsciousness
The majority of Salomëja Jastrumskytë‘s
artworks seem like metaphysical
poetry translated into the language
of plastic visions. It is possible to
speak about two tendencies in her art:
metaphysical and decorative. The origins
of the first are related to the Romantic,
Symbolist and Surrealist art, and those
of the second are close to the aesthetic
sterility of Japanese decorative art and
the poetry of Surrealist composition.
These two tendencies are conjoined by
periodic and spontaneous discharges of
energy, expressed by the emotional language
of dynamic lines. Perhaps it is
possible to maintain that in recent years
in her creative work the second tendency
has prevailed. That is a sign that she
heightens the formal demands on her
own works.
Salomëja belongs to a type of creator
who are extremely sensitive to the
sounds, colours and forms of the external
world: who absorb them into their
Prof. Antanas Andrijauskas
own consciousness, transform and express
by the artistic language of condensed
images and symbols. Although
in her artworks the traits of medieval
religious ecstasy, romantic universality,
poetic surrealism, metaphysical and abstract
painting, and Far East calligraphy
are present, nevertheless she is not subdued
by traditional standards, and
looks for her own original way.
The deep philosophical subtext, subtle
style, elaborated composition, and
richness of colours are characteristic of
her artworks, which embrace the expressive
techniques of Medieval, Romantic,
Surrealist, Abstract, and Eastern
art. Most probably the origins of her
creativity lie in her subconsciousness, in
memories of early childhood, and in the
fictional vision of the museum.
It is credible that this talented young
artist will not lose the drive and freshness
of her spiritual flights and will successfully
continue her artistic activity.
Prof. Antanas Andrijauskas