20.07.2013 Views

Bet kvailas žmogus įgis supratimą, Kai laukinė a - Logos

Bet kvailas žmogus įgis supratimą, Kai laukinė a - Logos

Bet kvailas žmogus įgis supratimą, Kai laukinė a - Logos

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

EGIDIJUS MAÞINTAS<br />

TURINIO IR VAIZDO TRANSFORMACIJOS<br />

MUZIKINËJE-TEATRINËJE KULTÛROJE<br />

202 LOGOS 42<br />

2005 BALANDIS • BIRÞELIS<br />

EGIDIJUS MAÞINTAS<br />

Vilniaus pedagoginis universitetas<br />

Transformations of Content and Scene<br />

in Musical and Theatrical Culture<br />

SUMMARY<br />

Gauta 2005-03-12<br />

The teaching of rendering transformations of the content and scene of musical theatre, which is directed<br />

to the values of the performance, cannot be restricted to memorising or learning theatrical propositions<br />

or theoretical reasoning. In musical-theatrical culture, the fusion of content and image, be it<br />

visible or mental, reflects the perception of reality. The natural transformation of content, scene and<br />

sound happening in the viewer’s consciousness represents the reality perceived by producers. The syncretic<br />

nature of the art of antiquity, which has manifested itself in the unity of text, music, scene and<br />

dance, influenced the close connection of musical-theatrical European culture with philosophy, aesthetics,<br />

mathematics, physics and other branches of science, which influenced musical-theatrical<br />

Lithuanian culture. The explanations of the nature of content and scene were based on the works of<br />

Heraclitus, Pythagoras, Plato, Aristotle, Euclid. Transformations of the content and scene of musical<br />

theatres developed systematically into different directions, while orientating and adapting themselves to<br />

the cultures and civilisations of different centuries.<br />

Muzikiniame spektaklyje statytojø suformuotas<br />

turinys ir vaizdas susipina<br />

specifinëmis formomis ir tiesiogiai bei<br />

intuityviai veikia þiûrovus per jø suvokimo<br />

galimybiø prizmæ. Tad muzikinis<br />

spektaklis veikia þiûrovà ne tik formaliø<br />

estetiniø galimybiø visuma, bet ir skam-<br />

besio, groþio proporcijomis, sukelianèiomis<br />

þiûrovams skirtingas emocines reakcijas.<br />

Praþûtingas ir kartais kurioziðkas<br />

bûna turinio ir vaizdo atskyrimas teatro<br />

mene. G. Flaubert’as ir G. Bennas konstatavo,<br />

kad forma gimstanti ið idëjos, arba<br />

tikëjimas ir veiksmas yra tik forma.<br />

RAKTAÞODÞIAI. Teatras, vaidyba, prasmës kûrimas, turinio ir vaizdo transformacija.<br />

KEY WORDS. Theatre, production, construction of meaning, transformation of content and scene.

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!