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iberiul-kavkasiuri enaTmecniereba XXXIX

iberiul-kavkasiuri enaTmecniereba XXXIX

iberiul-kavkasiuri enaTmecniereba XXXIX

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88<br />

Temis sakiTxisaTvis III seriis formebSi<br />

three groups:<br />

1. verbs with one theme which have similar theme in three series (wer-s, yams);<br />

2. verbs with two themes, which in III series have a shared theme with I series<br />

(va-keT-eb – mi-keT-eb-ia...) or with II one (va-q-eb _ va-q-e _ mi-qia...).<br />

3. verbs with three themes which have a stem (theme) different from I-II serries.<br />

Between them one-personal passives use a stem of participle (vi-mal-eb-i _<br />

davi-mal-e _ dav-malul-var...); bi-personal passives – I series theme of<br />

relevant active voice verbs (vu-Tb-eb-i _ gavu-Tb-i _ gav-Tb-ob-ivar, _ vezrd-eb-i<br />

_ gave-zard-e _ gav-zrd-ivar...).<br />

In the stem-changing verbs a principle of a theme is broken. Here an Old<br />

Georgian situation is preserved: I Perfect uses a stem of I series (dami-grex-ia, gami-<br />

Tl-ia...), II Perfect and III Subjanctive use a theme of II series (dame-grix-a, game-Tala...).<br />

These verbs can be conditionally called the verbs with mixed theme.<br />

The verbs with -av and -am theme markers occupy a transitional stage.<br />

Parallelism in I Perfect (dami-xat-av-s // dami-xat-ia...) is caused by this.

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