13.12.2023 Aufrufe

Salutogenese – Das Jahrbuch der KIT-Fakultät für Architektur 2021

Im Oktober 2021 ist das neue Jahrbuch der Fakultät erschienen: 374 Seiten Diskurs, Dokumentation und Data aus Lehre, Forschung und Fakultätsleben. In deutsch und englisch.

Im Oktober 2021 ist das neue Jahrbuch der Fakultät erschienen: 374 Seiten Diskurs, Dokumentation und Data aus Lehre, Forschung und Fakultätsleben. In deutsch und englisch.

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Environmental History<br />

of Architecture<br />

The growing critical awareness of the responsibility<br />

of architects in today's environmental crisis has<br />

also raised questions about the cultural foundation<br />

of their discipline. This also affects the history<br />

of architecture. Today's students – who give the<br />

questions of climate-friendly building or energetic<br />

and material sustainability a central role in their<br />

designs – are rightly surprised when environmental<br />

issues are given a rather subordinate role in<br />

the historical subjects. We look back on a long historiographical<br />

tradition, which since its Vitruvian<br />

origins has always tried to provide answers to<br />

questions about the climatic, biological or energetic<br />

conditions of architecture. In the tradition of<br />

operative historiography and criticism, we are devoting<br />

a six-part series of seminars to the approaches<br />

of an environmental history of architecture,<br />

in which the interlocking of functional, constructive<br />

and symbolic issues is addressed.<br />

Oikos: Most of the legends of the origins of architecture<br />

agree in identifying the hearth as the social<br />

and energy center of the first house. In fact, until<br />

today the kitchen has remained the place where<br />

the elements (fire, air, water, earth) are domesticated<br />

and thus socialized. A look into the past shows<br />

that this function of the kitchen has changed over<br />

time, mainly driven by technological innovation,<br />

assuming different forms and meanings.<br />

Helios: Buildings and settlements have always<br />

been designed on the basis of their relationship<br />

to the sun. The examples range from mysterious<br />

Stone Age structures and explicit solar<br />

utopias of Antiquity to the energy-producing artifacts<br />

of the so-called bio-climatic architecture of<br />

our time. Their conception combines the transcendence<br />

of cosmic connections with the pragmatism<br />

of ecological imperatives.<br />

Gaia: The history of architecture can also<br />

be told in terms of the changing relationship between<br />

buildings and the ground as well as the architectural<br />

representations of the Earth. This includes<br />

symbolically charged archetypes of<br />

building such as artificial mountains conceived<br />

as sanctuaries or the earth architecture of artificial<br />

grottos and rocks. But there are also buildings<br />

that have constructed entire worldviews in<br />

their aim to represent our planet.<br />

Techne: Un<strong>der</strong>stood as technical engineering<br />

structures, infrastructure buildings are traditionally<br />

not consi<strong>der</strong>ed as architecture due to their predominantly<br />

operational purposes. At best, their condition<br />

as architectural enclosures of machines have<br />

been conceded. They rarely appear as self-sufficient<br />

structures. Rather, they are connected system<br />

components. Their overriding civilizational and cultural<br />

goals as infrastructural total artifacts (Reyner<br />

Banham) become the object of architectural representation<br />

on a symbolic level.<br />

(Bio)Mimesis: The history of natural analogies<br />

and the imitation of nature in architecture<br />

did not just begin in the middle of the 19th century<br />

with the famous biological catchphrase form<br />

follows function. They can be traced back to Antiquity,<br />

for example to Vitruvius's Ten Books or to<br />

the Poetics of Aristotle. In this long cultural tradition,<br />

natural analogies have been used by designers<br />

who strive for an ethical foundation of their<br />

practice to this day.<br />

(U) Topos: Since Antiquity, the careful selection<br />

of a good place has been consi<strong>der</strong>ed to<br />

be one of the keys to a better community. This<br />

was the case for domestic communities as it was<br />

with the foundation of new cities or alternative living<br />

environments. The un<strong>der</strong>standing the human<br />

environment as a social construct was crucial:<br />

the architecture of the good place implied<br />

the design of forms of social life.<br />

↪ 326–327<br />

A Die Entdeckung des Feuers nach<br />

Vitruv, Nürnberg 1547<br />

B Die vier Elemente <strong>der</strong><br />

<strong>Architektur</strong> in Sempers karibischer<br />

Hütte, München 1860/1863<br />

C Küchenentwurf aus Otl Aichers<br />

Die Küche zum Kochen. Das Ende<br />

einer <strong>Architektur</strong>doktrin, München<br />

1982<br />

D Entwurf einer Sonnenstadt in<br />

Bernhard Christoph Fausts<br />

Sonnenbaulehre, um 1824<br />

E Besonnungsverhältnisse am 22.<br />

Juli um 5 Uhr morgens, Leipzig 1927<br />

(IKB)<br />

325

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