Maart 2013: jaargang 10, nommer 1 - LitNet

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LitNet Akademies Jaargang 10 (1), Maart 2013 12 Ek het wel sedert 2003 hierdie verskynsel nagevors en beskik oor data in die vorm van inhoudsontledings van advertensies in die motorfietstydskrifte Bike SA, Top Bike en Two Wheels. Ek het ook die voordeel van eerstehandse waarneming deur die bywoon van etlike saamtrekke wat deur vervaardigers aangebied is. 278
Opsomming LitNet Akademies Jaargang 10 (1), Maart 2013 Selfuitbeelding en Facebook: ’n estetika van verdwyning? Amanda du Preez Amanda du Preez, Departement Visuele Kunste en Visuelekultuurstudies, Universiteit van Pretoria Die selfportret beleef tans ’n oplewing aanlyn en word deur sommiges selfs as die volkskuns van die digitale era bestempel. Boonop maak die algemene toegang tot web- en selfoonkameras dit moontlik vir iedereen om hulle eie selfportret (of dan profile pic) aanlyn te kan skep en in stand te kan hou. Hierdie tendens kan beskryf word as ’n demokratisering van selfportrette, ’n genre wat eens slegs vir die aristokrasie en kunstenaars beskore was. Indien die kontemporêre aanlyn selfuitbeeldings met die tradisionele selfportret-genre vergelyk word, kan daar aangedui word dat daar bepaalde verskille is. In hierdie ontleding sal die verskille tussen die tradisionele selfportret soos onder andere vergestalt in die Duitse Renaissance-kunstenaar Albrecht Dürer se werk, in gesprek gebring word met kontemporêre selfuitbeeldings aanlyn, maar in die besonder op sosialemedia-netwerke soos Facebook. In die vergelyking sal daar voorgestel word dat die vroeë manifestasies van die selfportretkuns sekere ooreenkomste toon met wat Paul Virilio identifiseer as ’n “estetika van verskyning” in kontras met die wyse waarop die self in sosiale media vergestalt in wat bestempel kan word as ’n “estetika van verdwyning”. Kortweg verwys estetika van verdwyning na die wyse waarop beelde intyds op skerms afwisselend verskyn en verdwyn ten einde die self in ’n “alom-tele-teenwoordigheid”, of dan alomteleteenwoordigheid, te situeer. Trefwoorde: selfportrette; sosialemedia-netwerke; Facebook; Paul Virilio; estetika van verdwyning; kuber-ekshibisionisme Abstract Self-representations and Facebook: an aesthetic of disappearance? The genre of the self-portrait is currently experiencing a revival online, and particularly on social media platforms such as Facebook. This growing popularity of the self-portrait online has caused some authors to refer to the online self-portrait as the folk art of the digital age. The popularity of self-portraiture is made possible in part through ubiquitous tools such as web and cell phone cameras. Through these handy tools everyone with access to the internet can create a self-portrait online and also manage and maintain their own presence effortlessly and constantly online. The fact that the creation of self-portraiture has become so readily 279
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LitNet Akademies Maart 2013: jaarga
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Inhoudsopgawe Afdeling: Regte “Tr
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3.5 Die raamwerk in ere herstel? Gr
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Bibliografie LitNet Akademies Jaarg
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47 Dugard (1995:241-51). 48 Sien oo
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Eindnotas 1 Hierdie artikel is geba
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68 56. 69 1975 3 All ER 314 (CA). 7
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109 5, 6, 7, 41. 110 Joubert (2004:
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184 Zeffertt en Paizes (1986:15-6).
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225 1879 4 CPD 450. 226 1920 1 Ch 4
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265 Schmidt (1982:594). LitNet Akad
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295 Clifford v Turrel 1845 1 Y&C Ch
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339 Sien die bespreking supra par.
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1. Inleiding LitNet Akademies Jaarg
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13 S v Matyityi 2011 1 SA 40 (HHA)
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37 Riglyn 4 (eindnota 19 hier bo).
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Abstract LitNet Akademies Jaargang
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3.5 ’n Dringende oproep om doeltr
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5.1 Verby die staat na die hele wê
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33 Folke e.a. (2011:720). 34 Dalby
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Opsomming LitNet Akademies Jaargang
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3. Uitbeelding van die Anglo-Boereo
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Dlamini, J. 2009. Native nostalgia.
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—. 2012. Sirkusboere (resensie).
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Vuil hande pa, ek onthou ’n plaas
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intussen hou ek die spieël angstig
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Die vel is metaal soos ’n sinkdam
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Maart 2013: jaargang 10, nommer 1 - LitNet

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