Maart 2013: jaargang 10, nommer 1 - LitNet

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Figuur 8. Die Vicolo del Divino Amore LitNet Akademies Jaargang 10 (1), Maart 2013 Figuur 9. Lig en skaduwee in die smal straatjie waar Caravaggio van die einde van 1603 tot Augustus 1605 gewoon het In 1604 voltooi hy Die Begrafnis (Graham-Dixon 2010:278) (figuur 10) en hy begin die Madonna van Loreto (figuur 11) in die Europese somer van 1605 skilder. Graham-Dixon (2010:270) beskryf die gunstige toestande in die straatjie vir Caravaggio se skilderwerk: “In high summer the sun beats down on the roofs and through the windows there, creating dramatically Caravaggesque effects of light and shade” (figure 8 en 9). Figuur 10. Die Begrafnis. 1604, Vatikaan Museums en Galerye, 300cm x 203 cm Figuur 11. Die Maagd en die Pelgrims/Die Madonna van Loreto.1604, Cavaletti Kapel, 500
LitNet Akademies Jaargang 10 (1), Maart 2013 (Graham-Dixon 2010:xii). Olie op doek Sint Agostino-Kerk, Rome, 260cm x 150cm (Graham-Dixon 2010:xv). Olie op doek In Augustus 1605 word hy verplig om nuwe verblyf te soek weens die genoemde probleme met sy hospita en betrek hy die huis van Andrea Ruffeti, ’n prokureur wat in die kunste en literatuur belang stel, in die Piazza Colonna (Graham-Dixon 2010:303). Hier voltooi hy die Madonna van Loreto en op 8 April 1606 ook die Madonna van die Palafrenieri (Graham- Dixon 2010:307) (figuur 12). Figuur 12. Die Madonna van die Palafrenieri.1605-6, Galleria Borghese, Rome, 292cm x 211cm (Graham-Dixon 2010:xv). Olie op doek Dit is ’n besonder moeilike tyd vir hom en dit lyk of sy lewe erg skeefloop: He has several commissions but works at them in sporadic bursts. He flares up at the merest hint of an insult. He goes looking for trouble at night and even manages to pick a fight with the police when they are at the point of letting him go. (Graham-Dixon 2010:283) Hy gooi ook klippe na die polisie, beland in die tronk omdat hy wapens dra sonder ’n lisensie, en word self aangerand en aan sy keel gewond (Graham-Dixon 2010:253-325). Hierdie wilde lewe van Caravaggio, met insidente wat meesal in die nag plaasvind, tesame met die feit dat hy dikwels prostitute as modelle vir sy skilderye gebruik, laat Graham-Dixon (2010:296-8) bespiegel dat hy gedurende hierdie periode self ’n koppelaar was, met verskeie prostitute wat vir hom gewerk het. 501
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LitNet Akademies Maart 2013: jaarga
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Bibliografie LitNet Akademies Jaarg
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47 Dugard (1995:241-51). 48 Sien oo
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Eindnotas 1 Hierdie artikel is geba
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68 56. 69 1975 3 All ER 314 (CA). 7
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109 5, 6, 7, 41. 110 Joubert (2004:
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184 Zeffertt en Paizes (1986:15-6).
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225 1879 4 CPD 450. 226 1920 1 Ch 4
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265 Schmidt (1982:594). LitNet Akad
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295 Clifford v Turrel 1845 1 Y&C Ch
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339 Sien die bespreking supra par.
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1. Inleiding LitNet Akademies Jaarg
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13 S v Matyityi 2011 1 SA 40 (HHA)
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37 Riglyn 4 (eindnota 19 hier bo).
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Abstract LitNet Akademies Jaargang
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3.5 ’n Dringende oproep om doeltr
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5.1 Verby die staat na die hele wê
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33 Folke e.a. (2011:720). 34 Dalby
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Quinot, G. en S. Arrowsmith (reds.)
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11 Departement van Handel en Nywerh
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33 Tesouriereg. 16A9.1 lui: The acc
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Opsomming LitNet Akademies Jaargang
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4.5 Bespreking van die bevindinge L
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3. Uitbeelding van die Anglo-Boereo
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Dlamini, J. 2009. Native nostalgia.
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—. 2012. Sirkusboere (resensie).
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Figuur 4. Gebruikerstatistiek van d
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Figuur 7. Tegnologiese onderrig-lee
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Vuil hande pa, ek onthou ’n plaas
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3. Die veld van kulturele produksie
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Maart 2013: jaargang 10, nommer 1 - LitNet

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