Maart 2013: jaargang 10, nommer 1 - LitNet

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LitNet Akademies Jaargang 10 (1), Maart 2013 Tog beskou Kellner, ten spyte van sy kritiek, Virilio se bydraes as “a useful antidote to the uncritical celebrations of the computopia” (1999:122). Ook Cubitt (2011:87) is van mening dat Virilio se aansprake aangaande die verdwyning van die kontingente werklikheid, of dan die opkoms van ’n nuwe fenomenologie, nie geïgnoreer kan word nie. Die ander belangrike element in Virilio se aanslag – sy reputasie as ’n Cassandra nie ten spyt – is dat hy getrou bly aan die beginsels van hoop, optimisme en die rede (Armitage 2000). In hierdie opsig verskil Virilio ook drasties van ander vergelykbare teoretici, soos Jean Baudrillard, wat eerder ’n uitsiglose perspektief op die tegnologiese simulakrum bied. Alhoewel Virlio se hiperboliese en katastrofiese aanslag (eerder as katastrofale) (Armitage 2000) moontlik nie die mees verteerbare kommentaar op die kontemporêre skermkultuur lewer nie, glimmer die gedagte van ’n etos van die werklikheid daarin, wat hom daarom vir my ’n hoogs bruikbare gespreksgenoot maak. Ten slotte is dit daarom moontlik om voor te stel dat die tradisionele selfportret soos uitgebeeld deur die moderne kunstenaar ’n teenwoordigheid (in afwesigheid) posisioneer wat met die estetika van verskyning verbind kan word. Daarteenoor maak die demokratisering van die selfportret deur nuwe tegnologieë en sosialenetwerk-sisteme dit moontlik om op nuwe wyses die self te presenteer of te situeer deur ’n afwesigheid wat aanwesig is. Dürer se selfportret verskyn, posisioneer en representeer, terwyl aanlyn selfuitbeeldings virtueel situeer, intyds presenteer en daarom moontlik konstant aan die verdwyn is. Bibliografie Adams, T.D. 2000. Light writing and life writing: photography in autobiography. Chapel Hill, North Carolina: University of North Carolina Press. Armitage, J. 1997. Accelerated aesthetics: Paul Virilio's the vision machine. Angelaki: Journal of the Theoretical Humanities, 2(3):199–209. —. 2000. Beyond postmodernism? Paul Virilio’s hypermodern cultual theory. Ctheory (11 November 2012 geraadpleeg). —. 2003. Art and fear: An Introduction. In Virilio 2003. —. 2012. Virilio and the media. Cambridge, UK: Polity. Armitage. J. (red.). 2011. Virilio now. Current perspectives in Virilio studies. Cambridge, UK: Polity. 302
LitNet Akademies Jaargang 10 (1), Maart 2013 Astheimer, J., K. Neumann-Braun en A. Schmidt. 2011. My face: portrait photography on the social web. In Autenrieth en Neumann-Braun (reds.) 2011. Autenrieth, U.P. en K. Neumann-Braun (reds.). 2011. The visual worlds of social network sites. Images and image-based communication on Facebook and Co. Baden-Baden: Nomos. Avgitidou, A. 2003. Performances of the self. Digital Creativity, 14(3):131–8. Baert, B. (red.). 2009. Fluid flesh. The body, religion and the visual arts. Leuven: Leuven University Press. Bainton, R.H. 1947. Dürer and Luther as the Man of Sorrows. The Art Bulletin, 29(4):269– 72. Bal, M. 2004. Light writing: portraiture in a post-traumatic age. Mosaic: A Journal for Interdisciplinary Study in Literature, 37(4):1–19. Bargh, J.A., K.Y.A. McKenna en G.M. Fitzsimons. 2002. Can you see the real me? Activation and expression of the “true self” on the Internet. Journal of Social Issues, 58(1):33–48. Beckmann, M. en P.H. Selz. 1996. Max Beckmann. New York: Abbeville Press. Burgin, V. 2000. Jenni's room: exhibitionism and solitude. Critical Inquiry, 27 (1):77–89. Chapman, H.P. en R.H. van Rijn. 1992. Rembrandt's self-portraits: A study in seventeenthcentury identity. Princeton, NJ: Princeton University Press. Copeland Buenger, B. (red). 1997. Max Beckmann self-portrait in words. Collected writings and statements, 1913-1950. Chicago: University of Chicago Press. Crang, M. en N. Thrift (reds.). 2000. Thinking space. Londen: Routledge. Cronin, J.G.R. 2011. Excavating the future: Taking an “archeological” approach to technology. Interdisciplinary Science Reviews, 36(1):83–9. Cubitt, S. 1999. Virilio and new media. Theory, Culture & Society, 16(5-6):127–42. —. 2011. Vector politics and the aesthetics of disappearance. In Armitage (red.) 2011. Dekoninck, R. 2009. Body as image, image as body: the Christian roots of an anthropology of art. In Baert (red.) 2009. Derain, P.D. 2009. Paul Virilio. In Edkins en Vaughan-Williams (reds.) 2009. 303
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Eindnotas 1 Hierdie artikel is geba
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68 56. 69 1975 3 All ER 314 (CA). 7
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109 5, 6, 7, 41. 110 Joubert (2004:
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184 Zeffertt en Paizes (1986:15-6).
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37 Riglyn 4 (eindnota 19 hier bo).
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Abstract LitNet Akademies Jaargang
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3.5 ’n Dringende oproep om doeltr
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Dlamini, J. 2009. Native nostalgia.
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—. 2012. Sirkusboere (resensie).
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