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220 SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY NUMBER 23 That's how the poor man was saved. He wasn't punished. He was treated very well. As for the king . . . the poor [woodcutter] was sick. He got sick. Who knows what sickness he had. "Please go take care of him for me, go and give that poor man an injection for me or else he'll die. Because he is my marimba player. He is my musician, for when I want music there isn't anyone [else to play] at my children's fiestas. He is the one who brings the marimba, who brings whatever orchestra I want. He has very good music," he said. They went to give him an injection. They went to give him medicine. And he nearly died. Three weeks later when he got up they went to bathe him. They went to wash him. The herb doctor went at the king's command. He bathed. He recovered. He got up. "Walk! Try hard! I'll be happy. I'm going to have a celebration. My wife's holiday is almost here," said the king who went to talk to him. "Well, don't you worry. I'm getting up now. I've recovered. I seem to be pretty well. I guess I'll see. I'll go inside later this afternoon. If I don't get sicker, then [my illness] will certainly pass, but if I do get sicker who knows if I won't die," said the man, Don Juan. Finally, when dusk came, Don Juan felt very co—Id when he went in. "Well, we'll get some medicine to warm you. Warm your legs and your back with old rags! Hot ones, hot ones. Have your shirt censed and your pants censed so that you won't get sicker! The trouble is you don't wash your clothes. It would do no good for you to have a laundress. You wouldn't ask her [to wash your clothes]. You ought to look for one. Please wash my shirt ca—refully for me. I want my shirt to be clean, my pants to be clean. I don't want to be naked, you should say." "Oh, but my neighbors say ugly things. They just say I steal. They just say I do things. No, so there's nothing for anyone to hear, to criticize, to make trouble about in front of me. I'm going to ask—look here Your Highness—I'll ask for clothes, I'll ask for pants, I'll ask for shirts. I'll ask for clothes for my children. I'll ask in front of you so that I can pray to Our Lord. You will see them come here before your eyes so that nothing can be said [against] me," said the man. He went and asked like that. Juan recovered. He had nothing more to worry about. Strolling about happily, he carried his children. He went to the market. He went to give his children a good time. Because he never bought food to live on. You see when he died he went in under the madrone tree. He wasn't buried. The coffin that was bought for his burial—the coffin was empty. It seemed as if he was put in the coffin. Va7i 7un, k'u cha7al ti kol 7o ti prove vinik 7une, 7ipaj la 7un, mu jna7tik la k'usi ti 7ipaj 7une. 7A li "7Abolajanik ba k'elbekon, ba pasbekon 7inyektar ti prove Ie7e, naka me chamuk, porke ja7 me kajmarimpero ja7 kaj7ak'-musika, porke ti k'alal ta jk'an musikae, yu7un muk' buch'u sk'in jch'amaltake, ja7 ta xich' tal marimpa, ta xich' tal k'usitik 7orkestail jk'ane, batz'i lek musika 7oy yu7un," xi la. 7A la yak'beik 7inyeksyon, 7a la yak'beik pox, 7i yu7un la jutuk mu cham ti k'al ta yoxibal xemana ti k'al stam sbae, 7a la yatintasel, 7a la spokel, 7ay la ti jyerberoe, ja7 la ta smantal ti rey 7une. Va7i 7un, 7atin 7un, kol 7un, stam sba 7un. "Xanavan 7un, 7ak'o persa 7un, bal me xka7i, xba, xba jpas k'in, po7ot xa me sk'in i kajnile," xi la ti rey ti 7a sk'oponel 7une. "Bweno, mu k'u xal 7avo7on a7a, ta xa jtam jba, ta xa xikol, leklekon xa ya7el, ta jk'el kik xmalmal xa chi7och ta yut na ti tanae, ti mi muk' xa xi7ipaje, yu7un xa chi7ech' bi 7a, yan ti mi H7ipaj 7une, jna7tik mi mu xicham," xi la ti vinik ti Don Jwan 7une. Lajeltza ti Don Jwan 7une, 7ista la ti 7orasyon 7une, tol la si—k xa cha7i ochel 7un. "Bweno, 7a li ta jsa7tik pox chavich' k'ixnael, 7a li 7ak'o sk'ixnael lavoke, lapat ta k'a7-pok'e, k'ok'ik k'ok'ik xa xchi7uk 7a li 7ak'o spamtael, 7ak'u7 spamtael 7avex, para ke yu7un mu xa7ipaj 7o, k'usi Ie7e yu7un toj tol 7a li, mu xana7 xachuk' lak'ue, 7altik, ti 7oy 7avajchuk'om mu xana7 sk'anele, yechuke chasa7. JAbolajan chuk'bon Iekjk'u7, ta jk'an le—k ijk'u7e lek ijvexe, mu jk'an t'analon xachi ti yechuke." "7Ay pero ja7 li jlak'-na yantik xale, xal no 7ox chi7elk aj, xal no 7ox k'usi ta jnop 7un, mo7oj para ke mu7yuk k'usi 7oy ti buch'u xa7i, 7iyak' ta yak' ta 7utel,7iyak' ta k'ope, ta jsat, xba jk'an, k'el avi 7a li senyor rey, ta jk'an jk'u7, ta jk'an jvex, ta jk'an jmokite, ta jk'an sk'u7tak i jch'amaltake, ta 7asat ta jk'an 7un, para ke ta jk'opon i kajvaltike, chak'el ti Ii7 ta 7asate ta xtal 7une, yo7 ti mu k'u xi7albat 7o 7une," xi la ti vinik 7une. Va7i 7un, 7a li ja7 la yech la sk'an 7un, 7aj, kol la me ti Xun 7une, mu xa la k'u sna7 7un, xva7et la 7un, jun la yo7on 7un, xch'ip ti xch'amaltake chbat ta ch'ivit, chba skuxbe yo7on i xch'amaltake, yu7un ti tzman sve7el xichiotike, mu la bu tzman 7un. K'usi 7un, 7a la ti k'al 7icham 7une, ja7 la te ba 7ochuk ti ta 7on te7 7une, muk' la xmuk 7un, 7a la ti kajon 7imanbat ti k'alal 7imuk ya7ele, xokol la ti kajone, te la 7och ti ta kajone.
Don't you see, the coffin was left empty. He went there bodily where he had been provided for. He died. The children stayed there, but he took everything with him. The children couldn't ask [the walking stick]. They just had their belongings. His money was left, it seems. They wouldn't go hungry. They bought four horses with it, a pair of oxen. His children could support themselves. The children weren't stupid, either. When they saw they had their horses, they worked. They prepared their corn field. Their oxen plowed their land. They weeded their corn. The corn flourished. They bought more. They were left with plenty. The man went to pay in the place where his food came from and where he rested. He went there to the foot of the madrone tree where the old man came out. He went in bodily. Yes! "Don't bury me when I die. When I'm dead, stick me into the coffin, you see, but don't bury me! I'm going to the place where the person who provided for me came out, the place where he came from, the person who supported me for so many days. I was lucky. I didn't do anything. Just because Our Lord took pity on me, he supported me. Now I'm suffering so much from carrying wood, from selling wood. I'm suffering from hunger! [I told him]. I'm going there. Don't worry! Go see me there! I'll come out there every Tuesday," he said. It was every Tuesday since he was allowed to come out on Tuesdays. "I guess I'll go this Tuesday, I guess I'll see if I can talk to my father, because I'd like to talk to him, because I miss my father," said [his] son. "But don't take your tumpline! Don't carry wood or else he won't come out!" said his mother. "No, I won't carry firewood. I'm going. I'm going to sit down," [he told his mother as he left]. "God, My Lord, father, I miss you. I'd like to talk to you," said the small boy when he arrived beneath the madrone tree. He had been sitting there quite a while. "Son, have you come? Did you come to talk to me? I'm not dead. I'm alive, for I've come to pay for all that I ate, for what I ate on the surface of the holy earth. That's why I came here," he said. But he didn't die. It seemed as if he died, but he didn't die. He was certainly alive. "Don't worry! If you want money, if you ask for whatever you want, I haven't any problems. I have money. I have plenty of my own. Whenever you want to, come join me, if you need money, come!" he said. That scared him. He didn't arrive to talk anymore. Ever since he avoided it. The boy was scared. He didn't want to talk to his father anymore, because [his father] entered between two roots, since the TONIK NIBAK 221 Bu xavil, i kajon 7une, xokol 7ikom, sjunul 7ibat ta yo7 buy 7imak'lanon 7une. Vai 7un, 7a li 7icham 7un, 7a ti 7unetike, te to kom, pero ja7 yich'oj 7ibat skotol 7un, mu stak' sk'an ti 7unetike, ja7 no 7ox ti 7oy ti k'usuk yu7une, 7oy ti stak'in 7ikom ya7el 7une, mu7nuk chvi7naj 7un, sman 7o no la chan-kot ska7, 7a li jun la par svakax, i chve7 7o ti xch'amaltak 7une. Va7i 7un, muk' o no la sonso ti 7unetik noxtok 7une, ti yil ti 7oy ti ska7 7une, 7abtej la 7un, smeltzan la xchob 7un, 7a ti svakax 7une, ja7 la tzvok 7o yosil, chak'inta 7o ti yixim 7une, 7ayan 7ixim, sman yan, 7oy k'u 7oy yu7un 7ikom 7un, 7a ti vinik 7une, ba la stoj ti yo7 ti buy lok'em tal ti sve7el, 7i skux 7o 7une, te la ba ba ta yok ti yok ti 7on te7 yo7 ti buy 7ilok' tal ti mole, te la 7och ech'el sjunul. Ji7 la. "Muk7 bu muk' bu chamukikon, 7a lavi chichame, chamikon tik'ikon ta kajon avilik, pero muk' chamukikon, ta xibat yo7 ti lok'em tal li buch'u chismak'lane, yo7 li bu talem i buch'u chismak'lane, jayib no me k'ak'al lavi lek 7ikil, muk' xi7abtej mu k'u jpase, yu7un no me k'uxon ta yo7on ti kajvaltik nismak'lane. Ja7 lavi ti 7aboljba taj-mek li ta kuch-sile, ta chon-si7e, laboljba ta vilnale. Te chibat 7un, mu k'u xal 7avo7onik, ja7 te xba k'elikon, te chilok' ta ju-jun ju-jun martex," xi la. Ju-jun la martex 7un, k'u ti martex 7i7ak'bat tal 7un taje. Va7i 7un, "Chibat kik lavi martexe, jk'el kik mi jta ta k'oponel ti jtote, yu7un chak jk'opon ka7i yu7un ta jna7 ti jtote," xi la ti krem 7une. Bat. "Pero mu xavich' 7apek', mu xakuch si7, naka me ma lok'uk tal!" xi la ti sme7. "7I7i a7a muk' ta jkuch si7, chibat, chibat chotlikon." "Dyos kajval, tot, chajna7 7un, chak jk'oponot," xi la k'otel ti k'ox krem ta yolon ti 7on te7 7une. Va7i 7un, naxnax 7ox la xchotlej 7un. "Kere, mi natal, mi tal 7ak'oponon, mu me bu chamemon, kuxulon me, yu7un me ja7 tal jtoj ti k'u yepal k'u jlajesoj, k'usi ti jlajes ti tzba ch'ul-balamile, yech'o me ti H7 nitale," xi la 7un. Pero muk' la xcham 7un, spas la ti chame, pero muk' la cham 7un, kuxul la. "Mu k'u xal 7avo7on, mi chak'an tak'in, mi chak'an k'u chak'ane, Ii7 toe mu k'u jna7, 7oy jtak'in, 7oy k'u 7oy ku7un, k'u 7ora sk'an 7avo7on xtal jchi7in jbatik mi chak'an tak'ine xatal!" xi la 7un. Ja7 la xi7 7o 7un, mu xa la bu xk'ot sk'opon 7un, k'al tana yech kechel 7ikom 7o chak taj 7une, xi7 7o ti krem 7une, mu xa la sk'an sk'opon ti stot 7une, k'u la yu7un cha7-p'ej yisim te7 k'u ti ja7 no 7ox 7ijam la
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Of Cabbages and Kings TALES FROM ZI
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FRONTISPIECE: Disguised Aztec merch
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ABSTRACT Laughlin, Robert M. Of Cab
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iv SMITHSONIAN CONTRIBUTIONS TO ANT
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VI SMITHSONIAN CONTRIBUTIONS TO ANT
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Acknowledgments It seemed a logical
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Epigraph "I see nobody on the road,
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GENESIS A second expectation create
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he himself made no connection betwe
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nineteen townships in the state of
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8 SMITHSONIAN CONTRIBUTIONS TO ANTH
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10 SMITHSONIAN CONTRIBUTIONS TO ANT
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Linguistic Notes In order to make t
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Romin Tan-chak comes of a well-to-d
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Xun Vaskis FIGURE 2.—Xun Vaskis,
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FIGURE 7.—Tonik Nibak, 1961 (phot
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I'm sorry to say it was pretty well
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356 So he tossed his hair upwards.
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Postscript "Talk of many things, ..
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Acala 7Ach' Jtek-lum 7Ak'ol Mukenal
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Number Page 1. Romin Teratol 17 2.
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Aarne, Antti Amatus 1928. The Types
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Maps Nearly all the local place nam
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REQUIREMENTS FOR SMITHSONIAN SERIES
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