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82 SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY NUMBER 23<br />
"I mean it."<br />
"Didn't you see anything at all?" asked the boss.<br />
"Nothing," he said.<br />
"Now, then, it's nothing much. You are going<br />
again," he was told the next day. "You are going to<br />
deliver a message. Take the message! You will go<br />
here," he was told. He left. He arrived and spoke to<br />
a Ladino at the first door.<br />
"I've come to deliver a message," [Johnny] told<br />
him.<br />
"Ah, go, go in, go and speak to the person who is<br />
way inside there," he said.<br />
"Fine!" said Johnny Fourteen. He went in. The<br />
gentleman way inside looked at the message.<br />
"Ah!" said the gentleman. "Well, good, you aren't<br />
to return. You are to stay here. That's what the<br />
message says. We will stay here now. We will be<br />
together," said the gentleman inside there, the owner<br />
of the house.<br />
"Ah!" said Johnny Fourteen. "But who said so?"<br />
he asked.<br />
"I say so!" he said.<br />
"Are you the one who gives all the orders?" said<br />
Johnny Fourteen.<br />
"Well it's me, as I told [you]. Get out, I guess!<br />
How are you going to get out?" he said.<br />
"If I really want to, I'll get out," said Johnny<br />
Fourteen. "It just doesn't make any difference. So<br />
what! I guess I'll think it over whether I get used to<br />
it or not," said Johnny Fourteen. He had come<br />
through sixty doors.<br />
Now when Johnny Fourteen lost his temper he<br />
just kicked the doors one after another until he<br />
finished breaking down all sixty doors.<br />
So that's how he came out again. He came back<br />
again. He spoke to the boss where he worked. "Ah!"<br />
said [the boss]. "Did you get out?" he asked.<br />
"I got out," he said.<br />
"Oh, but how did you get out?" he asked.<br />
"I just got out by myself. I opened the door. I was<br />
able to open the door. Nothing happened, nothing. I<br />
just escaped," he said.<br />
"Ah!" said [the boss]. "So that's fine, then. Today<br />
you are to go to the graveyard," said the boss. "You<br />
are to go there. Just be there, you don't have to<br />
work. Just go spend the night there," said the boss.<br />
"Well, okay!" said Johnny Fourteen.<br />
He went to spend the night at the graveyard.<br />
When he went to bed he didn't fall asleep. He paced<br />
there. He kept walking around. Maybe it was because<br />
he had been told not to sleep. And at midnight<br />
all the ghosts came. "What are you looking for<br />
here?" all the ghosts asked.<br />
"Yech kal."<br />
"Mi mu k'usi 7avil j-set'uk?" xi la ti yajval 7abtel<br />
7une.<br />
"Ch'abal," xi la.<br />
"7A Ii7e che7e, mu k'usi, chabat noxtok," x7utat ti<br />
ta jun 7o k'ak'al 7une. "Chba 7avak' j-lik vun, 7ich'o<br />
ech'el j-lik vun, chabat Ii7 toe," x7utat la. 7Ibat la<br />
7un, 7ik'ot la sk'opon jun jkaxlan ta primero ti7 na.<br />
"7A li Ii7 tal kak' j-lik vune," xut la.<br />
"7A batan, 7ochan ech'el, ba k'opono li jun taj ta<br />
j-mek ta yute," xi la 7un.<br />
"Bweno!" xi la ti Jwan Katorse 7un. 7I7och la 7un,<br />
7isk'el 7a ti vun ti jun mol te ta yut ta j-mek 7une.<br />
"7A!" xi la ti mol 7une. "Bweno, lek, muk' chasut,<br />
H7 chakome, ja7 yech yaloj tal vune, Ii7 xa<br />
chikomotike, 117 ta jchi7in jbatike," xi la ti, 7a ti jun<br />
mol te ta yut 7une, yajval ti na 7une.<br />
"7A!" xi la ti Jwan Katorse 7une. "Pero buch'u<br />
xi?" xi la 7un.<br />
"Vo7on xichi!" xi la 7un.<br />
"Mi vo7ot batz'i xapas mantal?" xi la ti Jwan<br />
Katorse 7une.<br />
"Pwes vo7on ti k'u kale, lok'an kik, k'u xi<br />
chalok'?" xi la.<br />
"Ti sk'an ko7one chilok'," xi la ti Jwan Katorse<br />
7une. "Ja7 no 7ox muk' ta 7alel, yiyil, ta jnop ka7tik<br />
mi xinop mi mu xinop," xi la ti Jwan Katorse 7une.<br />
7Ox-vinik la ta k'ol ti ti7 na 7une, ti 7och 7une.<br />
7Ora, ti k'alal ti kap sjol ti Jwan Katorse 7une,<br />
naka la slikel ta tek'el 7un, ju-jun ju-jun ti ti7 na 7une,<br />
7asta ke laj svok'an komel skotol ti sesenta ti7 na<br />
7une.<br />
7Entonse, ja7 yech 7ilok' 7o tal noxtok 7un, 7isut<br />
tal noxtok 7un, ta sk'opon ti yajval ti buy ch7abtej<br />
7une. "7A!" xi la. "Mi lalok' tal?" xi.<br />
"Lilok' tal," xi.<br />
"7A, pero k'u xi lalok' tal?" xi.<br />
"Yech lilok' tal jtuk, 7ijjam li nae, 7ijam no 7ox<br />
ku7un, muk' mu k'usi 7ipas mu k'usi nada mas likol,"<br />
xi la 7un.<br />
"7A!" xi la. "7Entonse lek che7e, lavie chabat ta<br />
mukenal," xi la ti yajval 7abtel. "Chabat te yo7e, te<br />
yech no 7ox mu7nuk cha7abtej, ba nox 7ech'uk<br />
7ak'ubal te yo7e," xi la ti yajval 7abtel 7une.<br />
"Bweno stak'!" xi la ti Jwan Katorse 7une.<br />
Bweno, te la ba vayuk ta ba mukenal, 7a ti, 7a ti<br />
vayeme, muk' la x7och svayel, te la xva7et te la<br />
xjoyet ta j-mek 7un, yu7un no la yech 7albil 7un, ke<br />
ti mu xvay 7une, 7i ta 7ol 7ak'ubal 7un, 7ital la skotol<br />
i 7animaetik 7une. "K'u chasa7 H7 toe?" xi la ti skotol<br />
ti 7animaetik 7une.