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This tale of Br'er Rabbit was first told to me by Manvel after<br />

he had recounted his memories of the Revolution. When I<br />

remarked that General Pineda had been very clever, Manvel<br />

agreed, but added, "Now I will tell you about someone who was<br />

really clever!"<br />

Throughout Mexico and Guatemala the stick-fast motif is<br />

followed by a series of tricks played on a gullible animal. Many<br />

of these episodes have also been recorded among the Pueblo<br />

Indians of the Southwest (Foster, 1945b:230). It appears that the<br />

rabbit-coyote cycle, so omnipresent in the New World, adopted<br />

many Old World elements. Foster has pinpointed the distribution<br />

of twelve frequently linked elements, eight of which occur<br />

in Zinacantan. Of these eight, only the sapote (or prickly pear)<br />

episode seems limited to the New World (Foster, 230-235).<br />

In Middle American tales the Tar Baby is made of wax,<br />

though two examples from the Mazatec-Chinantec area of Oaxaca<br />

describe the doll as a wax Negro (Johnson, 1940:215). The<br />

Our <strong>Lo</strong>rd, you see, he died on the cross. On the<br />

third day he revived. When he came to life he<br />

worked forty days here in Zinacantan Center, here<br />

on the earth. He made the trees. He planted the corn<br />

fields. He planted everything there is, animals and<br />

everything. He made birds, cows, sheep, horses,<br />

birds, chickens, whatever. He made everything.<br />

Now he planted two apple trees. "Well what can<br />

we do? But who will come to look after the apples?"<br />

said Our <strong>Lo</strong>rd, "I guess I'll make a lump of mud. I'll<br />

make a person, I'll make one out of mud," he said.<br />

He made one. He blew on it three times. He blew<br />

on it. The mud turned into a person.<br />

"But I'm still going to do something else. I'll make<br />

a woman so there'll be two," he said. So he made<br />

the woman. He made a lump of mud. He molded it,<br />

too, into a person. He blew on it the same way. It<br />

turned into a woman.<br />

Now he gave the man a name. He thought up the<br />

woman's name—Adam, and the woman—Eve. He<br />

named them a long time ago.<br />

"You will watch this here. I am planting apples<br />

here. Then you will look after them," he said. "Care<br />

for them, don't steal them!" he said.<br />

But you see, they stole the apples. Adam ate one.<br />

[The apple] didn't go down; it stayed [right] here in<br />

his throat. Apple it's called. It stayed there.<br />

"As for you, you're no good. You steal too<br />

much," said Our <strong>Lo</strong>rd. When he said that, they<br />

MANVEL K'OBYOX 327<br />

Adam and Eve<br />

T54<br />

clear favorite for trickster is Rabbit, and for dupe, Coyote. The<br />

first scene is usually set in a melon patch, but Rabbit's fouling of<br />

the melons is peculiar to Guatemala (Recinos, 1918, Tl; Teletor,<br />

1955:147-151).<br />

The bogus wedding and Rabbit's protestation that he is too<br />

small are standard elements, as is Coyote's red hot poker<br />

treatment. Even Rabbit's mocking name for poor, unfortunate<br />

Coyote is not original to Zinacantan (Boas, 1912:204-214; Radin,<br />

1929, Til; Robe, 1971, T3).<br />

The moon and sapote episodes are standard, too, though<br />

prickly pears are frequently substituted for sapotes in Oaxaca<br />

and to the north.<br />

I am unaware of any other version linking the final cowboy<br />

episode to the rabbit-coyote cycle, but in Spain, Fox similarly<br />

tricks Wolf into being carried off by a cow. (A. M. Espinosa,<br />

1967, 3:272-276). See also T20, T21, T50, T90, T166, and their<br />

notes.<br />

7A li kajvaltike, che7e, 7icham ta kruse, ta yoxibal<br />

k'ak'al 7ikuxe, 7a li, 7ikuxe, 7a li cha7-vinik la k'ak'al<br />

7i7abtej H7 ta Jtek-lum H7 ta balamile, 7ismeltzan la<br />

7a li te7e, 7istz'un chobtik, 7istz'un 7a li k'usuk no<br />

7ox skotole, chonetik, k'utikuke, 7ismeltzan mut, li<br />

vakaxe, li chije, li ka7e, li mutetike, li kaxlan,<br />

k'utikuke, 7ismeltzan skotol 7un.<br />

7Ora, 7istz'un la cha7-petz mansana 7ur_. "Bweno<br />

k'usi ta jnoptik pero bu xtal buch'u chchabi li<br />

mansanae?" xi la li kajvaltik 7une. "Ta jmeltzan kik<br />

junuk 7ach'el, ta jmeltzan kik junuk 7a li jun<br />

krixchano, jlok'ta kik junuk ta 7ach'ele," xi la.<br />

Bweno, 7ismeltzan la, 7ixvuch'ta 7oxib bwelta,<br />

7ixvuch'ta, pas ta krixchano li 7ach'el 7une.<br />

Bweno, "Pero Ie7e 7u k'usi syempre ta jnop, ta<br />

jmeltzan junuk 7antz yo7 xkom cha7-vo7e," xi la<br />

7un. Ja7 yech 7ismeltzan 7a li 7antze, 7ismeltzan jun<br />

7ach'el, 7ispat noxtok, skwenta krixchano 7un, ja7<br />

yech 7ixvuch'ta, pas ta 7antz 7un.<br />

Bweno, 76ra 7iyak'be la sbi 7a li vinik 7une,<br />

7isnopbe sbi 7a li 7antz 7une, 7Adan 7i 7Eva li 7antz<br />

7une, 7isbi7in li mas 7antivo 7une.<br />

Bweno, "7A Ii7e, te xak'elik Ii7 ta jtz'un komel te<br />

xachabiik 7a li mantzanae," xi la 7un. "Chabiik mu<br />

xavelk'anik!" xi la 7un.<br />

Bu, 7iyelk'anik la li mansana 7une, 7islo7 la, muk'<br />

xa xjelav ja7 la Ii7e 7ikom ta snuk' 7une, mansana sbi<br />

7un, kom 7un.<br />

Bweno, "Li vo7ote che7e mu xatun toyol<br />

cha7elk'aj," xi 7a li kajvaltik 7une. K'alal ti 7iyil ti

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