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Sociolinguistics and Language Education.pdf

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194 Part 3: <strong>Language</strong> <strong>and</strong> Variation<br />

everything must go through the fi lter of human perception, there is no<br />

ideology-free platform from which we can observe linguistic phenomena.<br />

This has given the impetus for much language-ideological research<br />

<strong>and</strong> critical refl ection on, among others, linguists’ neglect of the social<br />

world, their involvement in the construction <strong>and</strong> naming of (static) languages,<br />

varieties <strong>and</strong> speech communities, as well as the impact of these<br />

constructions on everyday language use (Calvet, 2006; Harris, 1998; Pratt,<br />

1987; Rampton, 1998; Schieffelin et al., 1998; see also McGroarty et al., in<br />

this volume).<br />

Fourth <strong>and</strong> fi nally, a principles <strong>and</strong> processes approach invites attention<br />

for exceptional linguistic performances, such as ‘stylisations’ (as in the<br />

second example in the introduction: ‘so you are a repeater’). These were<br />

mainly ignored in traditional variationist sociolinguistics because they<br />

were considered inauthentic, caused by the observer’s paradox, or unsystematic<br />

<strong>and</strong> thus irrelevant for the explanation of language change. But if<br />

even the most routine language use is essentially constructed, there is no<br />

reason why exceptional constructions should be kept out of the analysis.<br />

All the more so, given that stylisations can be extremely informative of<br />

local perceptions <strong>and</strong> routine talk. Stylisations are defi ned as the intensifi -<br />

cation <strong>and</strong> exaggeration of a particular, but mostly culturally familiar, way<br />

of speaking that deviates from the style that is usually expected in the current<br />

situation (Coupl<strong>and</strong>, 2001; Rampton, 2001a: 85, 2006: 224–225). They<br />

are mostly produced by highly self-conscious <strong>and</strong> creative speakers, who<br />

are often emphatically artifi cial <strong>and</strong> invite others to interpret how their<br />

spectacular linguistic product comments on the business-on-h<strong>and</strong> <strong>and</strong><br />

evaluate how well it does that. Both their production <strong>and</strong> reception, therefore,<br />

can give off information on local perceptions of what is routine <strong>and</strong><br />

artifi cial, acceptable <strong>and</strong> strange, <strong>and</strong> of what it is that language users<br />

think they, or others, are doing as well as the (linguistic) building blocks<br />

they have available.<br />

In addition, as a kind of social action, it is argued that stylisations are<br />

symptomatic of <strong>and</strong> therefore particularly apt for capturing some of<br />

the complexities of ‘late-modern’ <strong>and</strong> the so-called globalised societies<br />

(cf. Coupl<strong>and</strong>, 2007: 30). More <strong>and</strong> more, contemporary western societies<br />

are seen as featuring a social climate characterised by high levels of geographical<br />

<strong>and</strong> also social mobility, a transnational consumer culture <strong>and</strong><br />

techno-popular industry, <strong>and</strong> omnipresent media. As a result of this,<br />

authors have shown how attractive lifestyles are increasingly commodifi<br />

ed <strong>and</strong> sold/bought (cf. Heller, 2003), while a wide variety of (linguistic)<br />

identities intensely circulate, create new opportunities <strong>and</strong> get<br />

introduced in new contexts <strong>and</strong> at other levels than where they are usually<br />

seen to operate (Blommaert, 2003). If future sociolinguistic work<br />

wants to address some of these processes, stylisation can provide a useful<br />

entry point for this.

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