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Sociolinguistics and Language Education.pdf

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Multimodal Literacy in <strong>Language</strong> Classrooms 323<br />

what it has been repeatedly used to mean <strong>and</strong> do, <strong>and</strong> the social conventions<br />

that inform its use in a particular context, all serve to shape its<br />

affordance. For example, that which can be drawn may not be done<br />

equally, or is done differently, in writing <strong>and</strong> vice versa. Furthermore,<br />

<strong>and</strong> crucially, the logic <strong>and</strong> affordances of modes entail users making<br />

certain claims about knowledge whether they realize it or not.<br />

Substantiating this point, Kress notes in the domain of science:<br />

If I say, ‘a plant cell has a nucleus’, I have been forced by the mode to<br />

provide a name for the relationship between the cell <strong>and</strong> the nucleus.<br />

I have named it as a relation of possession, ‘have’. If I draw the cell,<br />

<strong>and</strong> have been asked to indicate the nucleus, my drawing requires me<br />

to place the element that indicates the nucleus somewhere; I cannot<br />

avoid that epistemological commitment. (Kress, 2003: 57)<br />

By implication, <strong>and</strong> generally, multimodal representations of knowledge<br />

are realized by the user’s design decisions, which are inherently<br />

epistemological in nature. Therefore, Kress (2003: 37) points out to educators,<br />

in particular, that ‘[i]t is no longer responsible to let children experience<br />

school without . . . an underst<strong>and</strong>ing of the shift from competent<br />

performance to design as the foundational fact of contemporary social <strong>and</strong><br />

economic life’.<br />

Competent performance with multimodality is further informed by a<br />

conceptual distinction made by Lemke (1998: 290) between two matching<br />

ways in which meanings are made. First, with ‘typological’ meaning, language<br />

is used to express differences in kind through discrete contrastive<br />

categories; for example, up from down or male from female <strong>and</strong> so on.<br />

Second, topological meaning is concerned more with how things appear<br />

or sound. The pedagogical importance of underst<strong>and</strong>ing the differences<br />

between, <strong>and</strong> the combination of, typological <strong>and</strong> topological meaningmaking<br />

is illustrated with the use of electronic slideshow software by<br />

teachers. Undoubtedly, the tools <strong>and</strong> editing functions in popular offi ce<br />

suites assist in composition <strong>and</strong> presentation. The production of slides<br />

also forces <strong>and</strong> foregrounds decision making relating to the amalgamation<br />

of words, images <strong>and</strong> sounds to achieve specifi c communicative purposes.<br />

For example, Figure 12.1 is a prototype of slide designed to assist in the<br />

teaching of the comparative adjectives, ‘bigger’ <strong>and</strong> ‘smaller’. This text<br />

exaggerates a contrastive relationship through the purposeful resizing<br />

<strong>and</strong> positioning of photographs <strong>and</strong> typesetting – the choice of typeface,<br />

point size <strong>and</strong> kerning (the relative spacing between letters <strong>and</strong> characters).<br />

Thus, the dimensions of the photograph of the elephant are greater<br />

than those of the fi eld mouse. The elephant is also placed above its counterpart<br />

to signify prominence (in the animal kingdom) in terms of stature,<br />

weight <strong>and</strong> strength. Similarly, the words ‘bigger’ <strong>and</strong> ‘smaller’ look<br />

markedly different. The word ‘bigger’ appears in a larger, bold font <strong>and</strong> is

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