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Sociolinguistics and Language Education.pdf

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496 Part 6: <strong>Language</strong> <strong>and</strong> Interaction<br />

what happened. Other things, to be sure, happened, but at least what<br />

was on the tape had happened. It was not from any large interest in<br />

language or from some theoretical formulation of what should be<br />

studied that I started with tape-recorded conversations, but simply<br />

because I could get my h<strong>and</strong>s on it <strong>and</strong> I could study it again <strong>and</strong><br />

again, <strong>and</strong> also consequentially, because others could look at what I<br />

had studied <strong>and</strong> make of it what they could, if, for example, they<br />

wanted to be able to disagree with me. (Sacks, 1984a)<br />

As Sacks goes on to note, we don’t have very good intuitions about conversation<br />

(as we seem to for syntax, which is apparently the contrast he<br />

was making) nor are we capable of remembering or imagining the details<br />

of what happens in conversation. Consider that, as Heritage (1984a, 1984b)<br />

notes, the following example is not unusual in its level of complexity:<br />

(2) NB VII: 2<br />

01 Edn: =Oh honey that was a lovely luncheon I shoulda ca:lled you<br />

02 s:soo[:ner but I:]l:[lo:ved it.Ih wz just deli:ghtfu[: l.] =<br />

03 Mar: [((f)) Oh:::] [°( ) [Well] =<br />

04 Mar: =I wz gla[d y o u] (came).]<br />

05 Edn: [‘nd yer f:] friends] ‘r so da:rli:ng, =<br />

06 Mar: = Oh :::[: it wz:]<br />

07 Edn: [e-that P]a :t isn’she a do:[:ll?]<br />

08 Mar: [iY e]h isn’t she pretty,<br />

09 (.)<br />

10 Edn: Oh: she’s a beautiful girl. =<br />

11 Mar: = Yeh I think she’s a pretty gir[l.<br />

12 Edn: [En that Reinam’n::<br />

13 (.)<br />

14 Edn: She SCA:RES me. =<br />

So there are some rather obvious reasons why conversation analysts<br />

insist on working from actual recordings of conversation rather than imagined,<br />

remembered or experimentally produced examples. There is also at<br />

least one rather less obvious but absolutely critical reason that goes to the<br />

very heart of CA as a practice. Sacks explains:<br />

I want to argue that, however rich our imaginations are, if we use<br />

hypothetical, or hypothetical-typical versions of the world we are<br />

constrained by reference to what an audience, an audience of professionals,<br />

can accept as reasonable. That might not appear to be a terrible<br />

constraint until we come to look at the kinds of things that actually<br />

occur. Were I to say about many of the objects we work with ‘Let us<br />

suppose that this happened; now I am going to consider it’, then an<br />

audience might feel hesitant about what I would make of it by reference<br />

to whether such things happen. That is to say, under such a constraint<br />

many things that actually occur are debarred from use as a

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