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Sociolinguistics and Language Education.pdf

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Cross-cultural Perspectives on Writing 277<br />

not necessarily presented in the introduction but rather in the middle or<br />

at the end of the essay. Thus, the fi xed style in school writing (especially<br />

primary <strong>and</strong> secondary schools) is only one of many styles appreciated in<br />

English written discourse <strong>and</strong> elegantly written texts are not necessarily<br />

linear (Leki, 1997). In fact, the fi ve-paragraph essay is not always preferred<br />

as an instructional goal; some teachers <strong>and</strong> researchers argue that<br />

it limits students’ creativity <strong>and</strong> rhetorical choices (see Shi & Kubota,<br />

2007). Likewise, although English-type rhetoric is promoted in China <strong>and</strong><br />

Japan, the actual reading materials that appear in some textbooks do not<br />

always follow what is promoted (Kubota & Shi, 2005). The contextual<br />

specifi cities that texts <strong>and</strong> the act of writing are situated in pose the question<br />

of whether a universal concept of good writing exists (Coe &<br />

Freedman, 1998).<br />

Critical contrastive rhetoric<br />

The criticisms reviewed thus far reject ahistorical, fi xed <strong>and</strong> simplistic<br />

defi nitions of cultural rhetoric <strong>and</strong> focus on human agency. These criticisms<br />

can be theorized in the framework of critical contrastive rhetoric,<br />

which draws on the so-called post-foundational (i.e. postmodern, poststructuralist<br />

<strong>and</strong> postcolonial) critiques that question normative <strong>and</strong><br />

essentialist assumptions, illuminate the sociopolitical construction of our<br />

knowledge about language <strong>and</strong> culture, <strong>and</strong> offer possibilities for appropriating<br />

a linguistic form to express alternative meanings (Kubota &<br />

Lehner, 2004). As with critical applied linguistics <strong>and</strong> critical pedagogies<br />

(e.g. Pennycook, 2001), critical contrastive rhetoric problematizes <strong>and</strong><br />

politicizes a common underst<strong>and</strong>ing of language, culture, teaching <strong>and</strong><br />

learning to illuminate unequal relations of power involved in such knowledge<br />

<strong>and</strong> aims to transform oppressive discourse <strong>and</strong> social practice.<br />

From a postmodern point of view, the modernist relativity that assumes<br />

fi xed cultural <strong>and</strong> linguistic binaries are questioned. Instead, knowledge<br />

<strong>and</strong> practice are viewed as situated in sociopolitical arenas <strong>and</strong> historical<br />

trajectories, <strong>and</strong> are thus always in fl ux. Postmodernism focuses on the<br />

plurality of meaning <strong>and</strong> the hybrid, diasporic <strong>and</strong> dynamic nature of language<br />

<strong>and</strong> culture, while problematizing various forms of essentialism,<br />

including the static view of language <strong>and</strong> culture constructed by contrastive<br />

rhetoric research.<br />

A poststructuralist approach to critical contrastive rhetoric views<br />

knowledge about language <strong>and</strong> culture of Self <strong>and</strong> Other as constructed<br />

by discourses rather than existing a priori divorced from politics <strong>and</strong> relations<br />

of power. This view allows us to explore how cultural difference in<br />

rhetoric <strong>and</strong> an implicit assumption of the superiority of English are discursively<br />

constructed in contrastive rhetoric research. In addition, student<br />

writers are viewed as agents with multiple subjectivities who act on

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