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Sociolinguistics and Language Education.pdf

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530 Part 6: <strong>Language</strong> <strong>and</strong> Interaction<br />

Appalachia, wrestles with how to write home to her parents about her<br />

initial experiences as a freshman:<br />

Dear Momma <strong>and</strong> Daddy,<br />

I’ll admit my eyes blurred with mist when I saw you drive off in the<br />

old pickup.<br />

The old pickup? ... my eyes blurred with mist? ... What on earth did she<br />

think she was writing? ... She rocked forward with another trill of lowgrade<br />

guilt to confront her letter home ... the old pickup. Daddy is totally<br />

dependent on the poor, miserable old truck, <strong>and</strong> I’m treating it like it’s<br />

something quaint. Eyes blurred with mist ... Yuk! She could just imagine<br />

Momma <strong>and</strong> Daddy reading that. The ‘pretty writing’. (Wolfe, 2004: 158)<br />

Charlotte labels her academic/literary repertoire ‘pretty writing’ <strong>and</strong><br />

recognizes that this part of her repertoire has very different functionality<br />

in her home community than it does in a community of academics. Indeed<br />

her own ‘coming of age’ is a process of coming to terms with her rapidly<br />

exp<strong>and</strong>ing communicative repertoires <strong>and</strong> their effective uses. For her,<br />

the journey through ‘Dupont University’ is one that exposes her to a vast<br />

range of new communicative repertoires. Her challenge is to underst<strong>and</strong><br />

them <strong>and</strong> to be able to use them to her advantage – <strong>and</strong> to transcend the<br />

loneliness that she initially feels, trapped in a communicative repertoire<br />

that she shares neither with her new acquaintances at Dupont nor with<br />

her family back home.<br />

Charlotte Simmons’ interior monologue about ‘pretty writing’ encapsulates<br />

a struggle that countless students have about the way they speak<br />

<strong>and</strong> the language choices they make across academic, family <strong>and</strong> other<br />

social contexts. Charlotte Simmons’ fi ctional insights resonate with the<br />

experiences of non-fi ctional personalities who have come from humble<br />

origins, but gone on to excel in the most elite institutions of higher learning.<br />

For example, The New York Times describes Supreme Court Justice<br />

Clarence Thomas, <strong>and</strong> a current nominee to the Supreme Court, Sonia<br />

Sotomayor, as questioning the adequacy of their own repertoires when<br />

they began to attend prestigious universities: both were worried ‘what<br />

others would think when they opened their mouth (p. 1)’:<br />

Ms. Sotomayor had grown up in the Bronx speaking Spanish;<br />

Mr Thomas’s relatives in Pin Point, Ga., mixed English with Gullah,<br />

a language of the coastal South. Both attended Catholic school,<br />

where they were drilled by nuns in grammar <strong>and</strong> other subjects. But<br />

at college, they realized they still sounded unpolished. (Kantor &<br />

Gonzalez, 2009: 1, 21)<br />

As this narrative of these highly successful people indicates, Thomas<br />

<strong>and</strong> Sotomayor were aware that part of their success would depend on the<br />

way they managed their own ways of speaking.

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