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The Individual, Auto/biography and History in South Africa

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Be<strong>in</strong>art, whose research has featured prom<strong>in</strong>ently among <strong>South</strong> <strong>Africa</strong>n social histories,<br />

laid particular stress on rural processes <strong>in</strong> the shap<strong>in</strong>g of <strong>South</strong> <strong>Africa</strong>. 2 This emphasis<br />

was susta<strong>in</strong>ed <strong>in</strong> Twentieth Century <strong>South</strong> <strong>Africa</strong> through an <strong>in</strong>sistence on see<strong>in</strong>g <strong>South</strong><br />

<strong>Africa</strong>n history from the perspective of the countryside <strong>and</strong> with a deliberate emphasis<br />

on rural processes. In the process, the awesome weight that <strong>South</strong> <strong>Africa</strong>n<br />

historiography has accorded the m<strong>in</strong>eral ‘revolution’ <strong>and</strong> processes of social<br />

transformation <strong>and</strong> class formation on the Witwatersr<strong>and</strong> was reduced <strong>in</strong> scale.<br />

Far from be<strong>in</strong>g transformed overnight, Be<strong>in</strong>art was able to demonstrate that <strong>Africa</strong>n<br />

rural societies had been remarkably resilient <strong>in</strong> their capacities to survive, adapt <strong>and</strong><br />

resist change, thus hold<strong>in</strong>g on to important aspects of their society <strong>and</strong> culture. <strong>Africa</strong>ns<br />

were constructed as <strong>in</strong>dependent social agents whose lives <strong>and</strong> activities could not only<br />

be read as responses to the designs of their capitalist <strong>and</strong> colonial masters. Thus,<br />

emphasis was placed on<br />

the remnant identities <strong>and</strong> particularisms which have<br />

been so powerful <strong>in</strong> shap<strong>in</strong>g the ideas of the mass of the<br />

people <strong>in</strong> the country ... the vitality of discrete rural<br />

localities, the salience of ethnicity, the fragmented<br />

patterns of urban social life, the multiplicity of religious<br />

expression. 3<br />

Through the absorption on new factors such as culture, ethnicity <strong>and</strong> gender <strong>in</strong>to his<br />

account, Be<strong>in</strong>art demonstrated the ability of social history to go further than earlier<br />

versions of class analysis <strong>and</strong> enhance its explanatory capacities. In this more nuanced<br />

perspective, the salience of rural struggles, the variety of cultural responses, economic<br />

activities <strong>and</strong> social identities of <strong>Africa</strong>n men <strong>and</strong> women, adult <strong>and</strong> youth <strong>in</strong> the city<br />

were viewed <strong>in</strong> their richness, diversity <strong>and</strong> complexity. <strong>Africa</strong>ns were seen not as<br />

passive victims of colonisation, oppression <strong>and</strong> segregation. Instead, they were <strong>in</strong>volved<br />

2 See especially, William Be<strong>in</strong>art, <strong>The</strong> Political Economy of Pondol<strong>and</strong>, 1860‐1930, Johannesburg: Ravan,<br />

1982; William Be<strong>in</strong>art <strong>and</strong> Col<strong>in</strong> Bundy, Hidden Struggles <strong>in</strong> Rural <strong>South</strong> <strong>Africa</strong>: Politics <strong>and</strong> Popular<br />

Movements <strong>in</strong> the Transkei <strong>and</strong> Eastern Cape 1890‐1930, Johannesburg, Ravan, 1987; William Be<strong>in</strong>art,<br />

‘Agrarian Historiography <strong>and</strong> Agrarian Reconstruction’, <strong>in</strong> John Lonsdale (ed), <strong>South</strong> <strong>Africa</strong> <strong>in</strong><br />

Question, Cambridge: Cambridge University Press, 1988.<br />

3 William Be<strong>in</strong>art, Twentieth Century <strong>South</strong> <strong>Africa</strong>, pp 4‐5.<br />

109

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