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The Individual, Auto/biography and History in South Africa

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Biography also provided the basis of attempts by the McGregor Museum <strong>in</strong> Kimberley to<br />

add new histories on to their old exhibits as part of the process of “depict[<strong>in</strong>g] all the<br />

people <strong>in</strong> the prov<strong>in</strong>ce”. In this ‘add‐on’ approach to transformation, the museum “added<br />

snippets of <strong>in</strong>formation <strong>and</strong> occasional portraits of Kimberley’s blacks <strong>in</strong>to exist<strong>in</strong>g<br />

displays of Kimberley’s Firsts <strong>and</strong> Kimberley’s Personalities”. 42 <strong>The</strong> Albany Museum <strong>in</strong><br />

Grahamstown also tried to carve a post‐apartheid position for itself by produc<strong>in</strong>g a<br />

biographical directory of Eastern Cape <strong>Africa</strong>n leaders as part of its “New <strong>History</strong>”<br />

series. 43 Instead of a focus merely on white history <strong>and</strong> “the glorification of one group <strong>and</strong><br />

its heroes at the expense of others”, the objective of the new series was to <strong>in</strong>troduce the<br />

“l<strong>in</strong>ked histories of all the people of the eastern Cape”. <strong>The</strong> biographical directory, the<br />

second publication <strong>in</strong> the series, was an <strong>in</strong>itiative to “provide basic <strong>in</strong>formation about<br />

some of the Black people who have made a major contribution to <strong>South</strong> <strong>Africa</strong>n society<br />

<strong>and</strong> who hail from the eastern Cape”, <strong>and</strong> to “document our leaders before they are<br />

forgotten”. <strong>The</strong> result was a focus on what was described as “Xhosa leadership”. 44<br />

Trapped with<strong>in</strong> these racial <strong>and</strong> ethnic premises for the production of history, the<br />

directory consisted of an alphabetised gallery of ANC leaders with a few PAC or Black<br />

Consciousness figures thrown <strong>in</strong>. <strong>The</strong> directory also conta<strong>in</strong>ed profiles of “royal”<br />

leadership from precolonial times. In the view of then Eastern Cape Premier <strong>and</strong> former<br />

Rivonia trialist, Raymond Mhlaba, the publication was to be commended for “bridg<strong>in</strong>g<br />

the gap ... between the known leadership <strong>and</strong> the royalty <strong>and</strong> leadership of yester‐year”. 45<br />

In order to place the biographical sketches <strong>in</strong> a “time framework <strong>and</strong> context”, a timel<strong>in</strong>e<br />

was provided, show<strong>in</strong>g “the major historical <strong>and</strong> political events from c.600 AD to 2<br />

February 1990”. <strong>The</strong>re is also a “general historical directory” which gave <strong>in</strong>formation on<br />

“the major organisations <strong>and</strong> ideologies” to which it referred. 46<br />

42 Leslie Witz, Gary M<strong>in</strong>kley <strong>and</strong> Ciraj Rassool, ‘Who Speaks for <strong>South</strong> <strong>Africa</strong>n Pasts?’, p 14.<br />

43 David R Owen, Ubukhosi Neenkokeli: A Directory of Eastern Cape Black Leaders from c. 1700 to 1990,<br />

Grahamstown: Albany Museum, 1994.<br />

44 David Owen, Ubukhosi Neenkokeli, front cover; pp 7‐13.<br />

45 Foreward to David Owen, Ubukhosi Neenkokeli, p 5.<br />

46 David Owen, Ubukhosi Neenkokeli, p 13.<br />

206

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