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The Individual, Auto/biography and History in South Africa

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ooklet was organised as a chronological account with photographs based on M<strong>and</strong>ela’s<br />

childhood <strong>and</strong> early years, followed by images of the 1950s grouped around the themes of<br />

defiance <strong>and</strong> the Treason Trial. Photographs from the phase of underground politics <strong>and</strong><br />

armed struggle were followed by images from the Rivonia trial <strong>and</strong> subsequent<br />

<strong>in</strong>carceration on Robben Isl<strong>and</strong>. <strong>The</strong> photographic narrative then centred on uMkhonto<br />

we Sizwe campaigns <strong>in</strong> the 1960s, resistance <strong>in</strong>side <strong>South</strong> <strong>Africa</strong> <strong>in</strong> the 1970s <strong>and</strong> 1980s<br />

<strong>and</strong> repression by the apartheid state. <strong>The</strong> publication culm<strong>in</strong>ated <strong>in</strong> a sequence of images<br />

reflect<strong>in</strong>g the commemoration of M<strong>and</strong>ela’s life <strong>and</strong> work, campaigns for his release, <strong>and</strong><br />

events held overseas <strong>in</strong> solidarity with anti‐apartheid struggles <strong>in</strong> <strong>South</strong> <strong>Africa</strong> <strong>and</strong> anti‐<br />

colonial struggles <strong>in</strong> Namibia. 186<br />

<strong>The</strong> Mayibuye Centre distributed this photographic booklet <strong>and</strong> its exhibition version <strong>in</strong><br />

the 1990s after IDAF’s relocation to <strong>South</strong> <strong>Africa</strong> <strong>and</strong> the <strong>in</strong>corporation <strong>in</strong>to the Centre of<br />

its resources, archival hold<strong>in</strong>gs <strong>and</strong> publish<strong>in</strong>g <strong>in</strong>terests. Under these new conditions, <strong>and</strong><br />

after the release of Nelson M<strong>and</strong>ela, as well as his election as president, these pictorial<br />

biographies took on new life <strong>and</strong> were <strong>in</strong>corporated <strong>in</strong>to a new vision. Dur<strong>in</strong>g 1996 <strong>and</strong><br />

1997, they were sold at the Mayibuye Centre’s Robben Isl<strong>and</strong> Exhibition <strong>and</strong> Information<br />

Centre located near the entrance to the Victoria <strong>and</strong> Alfred Waterfront alongside other<br />

M<strong>and</strong>ela auto/biographical materials. 187 <strong>The</strong>se <strong>in</strong>cluded <strong>The</strong> Struggle is my Life, based on<br />

M<strong>and</strong>ela’s assembled speeches <strong>and</strong> writ<strong>in</strong>gs alongside historical documents <strong>and</strong> accounts<br />

by fellow prisoners of M<strong>and</strong>ela <strong>in</strong> prison. Orig<strong>in</strong>ally published <strong>in</strong> 1978 by IDAF to<br />

celebrate M<strong>and</strong>ela’s 60th birthday, this new edition commemorated M<strong>and</strong>ela’s 76th<br />

birthday <strong>and</strong> the new era of <strong>South</strong> <strong>Africa</strong>n history, marked by M<strong>and</strong>ela’s election as<br />

See Alf Kumalo, M<strong>and</strong>ela: Echoes of an Era (Text by Es’kia Mphahlele), London: Pengu<strong>in</strong>, 1988. Another<br />

70th birthday biographical text is the Free Nelson M<strong>and</strong>ela Festival Concert Book, London: Pengu<strong>in</strong>, 1970.<br />

186 This publication was also produced as a portable exhibition of photographs on 14 poster‐size sheets<br />

for schools, libraries <strong>and</strong> community centres. See Nelson M<strong>and</strong>ela – His Life <strong>in</strong> the Struggle: Portable<br />

Exhibition of Photographs (London: IDAF, 1988).<br />

187 <strong>The</strong> temporary Robben Isl<strong>and</strong> Exhibition <strong>and</strong> Information Centre (which closed <strong>in</strong> early 1997) was<br />

seen as the first practical step by the Mayibuye Centre’s ‘Gateway Project’ <strong>in</strong>itiative <strong>in</strong> the direction of<br />

the development of a fully fledged museum of apartheid at the Waterfront, which would provide an<br />

embarkation po<strong>in</strong>t for visitors to Robben Isl<strong>and</strong>.<br />

258

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