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The Individual, Auto/biography and History in South Africa

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Beyond these specific <strong>in</strong>stances, more generally my historical practice as an academic<br />

<strong>and</strong> public <strong>in</strong>tellectual has found expression through a range of publications, <strong>and</strong><br />

conference <strong>and</strong> workshop presentations <strong>in</strong> a range of forums, 4 <strong>and</strong> <strong>in</strong> ongo<strong>in</strong>g<br />

network<strong>in</strong>g that has occurred across a range of academic <strong>and</strong> public <strong>in</strong>stitutions <strong>in</strong> the<br />

pursuit of the construction of an enabl<strong>in</strong>g, critical public sphere. <strong>The</strong>se forums have<br />

drawn academics, museum <strong>and</strong> heritage professionals <strong>and</strong> an emerg<strong>in</strong>g layer of<br />

heritage activists <strong>in</strong>to ongo<strong>in</strong>g discussions <strong>and</strong> debates on a range of issues, from the<br />

cultural politics of national heritage, the possibilities <strong>and</strong> limits of museum<br />

transformation, the enabl<strong>in</strong>g <strong>and</strong> limit<strong>in</strong>g consequences of heritage transformation<br />

through the efforts of consultants, <strong>and</strong> the prospects <strong>and</strong> challenges of build<strong>in</strong>g<br />

community museums. 5<br />

S<strong>in</strong>ce the 1990s, I found myself as a participant <strong>in</strong> the policy mak<strong>in</strong>g, heritage<br />

produc<strong>in</strong>g <strong>and</strong> aesthetic work of a range of heritage <strong>in</strong>stitutions <strong>and</strong> museums that<br />

enabled me to have a special vantage po<strong>in</strong>t <strong>in</strong> the <strong>in</strong>terstitial spaces between the<br />

academy <strong>and</strong> the public doma<strong>in</strong>, from which to view a range of transformations <strong>and</strong><br />

knowledge transactions <strong>in</strong> public culture. <strong>The</strong> opportunities to work <strong>in</strong> these public<br />

history spaces constituted a significant <strong>in</strong>fluence on the theoretical <strong>and</strong> methodological<br />

shape of this dissertation. One aspect of this work <strong>in</strong>volved th<strong>in</strong>k<strong>in</strong>g about the cultural<br />

politics of the resistance <strong>biography</strong> <strong>and</strong> life history work that had emerged <strong>in</strong> the<br />

public doma<strong>in</strong>. Indeed, as will be seen, far from be<strong>in</strong>g merely a researcher who has<br />

4 I have presented papers either <strong>in</strong>dividually or jo<strong>in</strong>tly with my colleagues <strong>in</strong> workshops, forums<br />

<strong>and</strong> conferences convened by the Mayibuye Centre, the <strong>South</strong> <strong>Africa</strong>n Museums Association, the<br />

<strong>South</strong> <strong>Africa</strong>n Museum the McGregor Museum, BLAC as well as through <strong>in</strong>itiatives <strong>in</strong> heritage<br />

network<strong>in</strong>g <strong>and</strong> tra<strong>in</strong><strong>in</strong>g such as the <strong>South</strong> <strong>Africa</strong>n National Cultural Heritage Tra<strong>in</strong><strong>in</strong>g<br />

Programme convened under the auspices of Michigan State University. A special forum on<br />

memory, convened <strong>in</strong> Cape Town by Bogumil Jewsiewicki of Université Laval (Quebec) <strong>in</strong> 2000<br />

enabled <strong>South</strong> <strong>Africa</strong>n academics <strong>and</strong> public scholars to engage with each other <strong>and</strong> with scholars<br />

from elsewhere <strong>in</strong> <strong>Africa</strong> <strong>and</strong> other parts of the world. I have cited a sample of these papers <strong>in</strong> the<br />

bibliography of this dissertation.<br />

5 <strong>The</strong> networks that have emerged from these engagements have not been <strong>in</strong>significant, <strong>and</strong> <strong>in</strong> the<br />

early 2000s, were most productively forged around a collaborative exchange programme <strong>in</strong> the<br />

Institutions of Public Culture, facilitated by the Center for the Study of Public Scholarship at<br />

Emory University.<br />

504

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