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The Individual, Auto/biography and History in South Africa

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asic passport‐type pen picture satisfied this need. This was the image of Tabata chosen<br />

by local ADC committees around the United States, <strong>and</strong> was widely circulated <strong>in</strong><br />

advertisements of his speak<strong>in</strong>g engagements. This they chose from the “Pictures of<br />

Tabata for publicity use”, which had been <strong>in</strong>cluded <strong>in</strong> <strong>in</strong>formation packs sent out by the<br />

ADC Executive Secretary along with Tabata’s it<strong>in</strong>erary (Figure 8). 53<br />

It is not certa<strong>in</strong> when <strong>in</strong> the 1960s the conscious programme of construct<strong>in</strong>g Tabata as a<br />

‘presidential’ political leader through visual representation began as an element of<br />

project<strong>in</strong>g the Unity Movement as a liberation movement. On his first visit to Engl<strong>and</strong> <strong>in</strong><br />

May 1962, where he went after his secret “trek through <strong>Africa</strong>”, Tabata was certa<strong>in</strong>ly<br />

photographed, perhaps more to mark a personal reunion. 54 A portrait photograph taken<br />

of Tabata <strong>in</strong> 1963 <strong>in</strong> Engl<strong>and</strong> was later used on a book cover. 55 Indeed, Tabata began to<br />

be photographed <strong>in</strong> conscious <strong>and</strong> def<strong>in</strong>itive ways to convey a sense of confidence,<br />

certa<strong>in</strong>ty <strong>and</strong> authority that belied any previous visualis<strong>in</strong>g reticence. <strong>The</strong> programme of<br />

imag<strong>in</strong>g Tabata was stepped up from about 1965, especially when the need for publicity<br />

<strong>and</strong> visual projection began to make itself felt through the ADC. From at least 1966,<br />

publications of the Unity Movement <strong>and</strong> APDUSA <strong>in</strong> Lusaka began to <strong>in</strong>clude posed<br />

portraits of Tabata, accompanied by the description, “President of Unity Movement of<br />

<strong>South</strong> <strong>Africa</strong> <strong>and</strong> President of APDUSA”. 56 <strong>The</strong>se portraits were often full‐page, <strong>and</strong><br />

53 Robert H Langston to Friends (Circular Letter), 23 September 1965, Alex<strong>and</strong>er Defense Committee<br />

Records, 1962‐1971, SML Microform, Sterl<strong>in</strong>g Memorial Library, Yale University. This was the<br />

photograph used to advertise Tabata’s speak<strong>in</strong>g engagements <strong>in</strong> Boston, Clevel<strong>and</strong>, Detroit, Chicago,<br />

San Francisco, Los Angeles <strong>and</strong> Seattle between October <strong>and</strong> December 1965. <strong>The</strong> tour began with<br />

receptions <strong>and</strong> meet<strong>in</strong>gs <strong>in</strong> New York, <strong>and</strong> Tabata also spoke <strong>in</strong> Philadelphia, Mikwaukee <strong>and</strong><br />

Wash<strong>in</strong>gton, DC. A visit to New York at the end was also advertised, but Tabata had to rush back to<br />

Lusaka <strong>in</strong> January 1966.<br />

54 <strong>The</strong>re is a photograph <strong>in</strong> the Tabata Collection (BC 925) with this word<strong>in</strong>g as part of its official<br />

caption. Tabata arrived <strong>in</strong> Engl<strong>and</strong> on 25 May 1962, 2¾ months after Dora Taylor had left Cape Town<br />

for Engl<strong>and</strong> via Johannesburg <strong>and</strong> Ndola, where she spent five weeks with her daughter Sheila<br />

Belshaw. Tabata spent more than five months <strong>in</strong> Engl<strong>and</strong> attempt<strong>in</strong>g to solicit support for the NEUM’s<br />

struggle from socialist <strong>and</strong> <strong>Africa</strong>n countries before mak<strong>in</strong>g his way back to <strong>South</strong> <strong>Africa</strong> via Algeria,<br />

Italy, Yugoslavia <strong>and</strong> other <strong>Africa</strong>n countries, where he spent time assess<strong>in</strong>g possibilities of support.<br />

55 <strong>The</strong>re are at least six portrait photograph <strong>in</strong> the Tabata Collection (BC 925), one of which is marked<br />

‘1963 – Engl<strong>and</strong> (used on a cover)’.<br />

56 See full‐page portrait before page one of Apdusa (Special Edition), Vol II, No 5, Sept‐Oct 1966,<br />

Alex<strong>and</strong>er Defense Committee Records, 1962‐1971, SML Microform, Sterl<strong>in</strong>g Memorial Library, Yale<br />

University.<br />

349

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