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The Individual, Auto/biography and History in South Africa

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Movement of SA <strong>and</strong> a Great Man”. <strong>The</strong> sett<strong>in</strong>g of the modest family cemetery made<br />

the claims on leadership <strong>and</strong> greatness seem <strong>in</strong>congruous.<br />

<strong>The</strong>se varied sites <strong>and</strong> <strong>in</strong>stitutions at which I.B. Tabata’s life history was projected,<br />

recovered <strong>and</strong> contested as political lesson, archival collection, museum display <strong>and</strong><br />

memorial rest<strong>in</strong>g place reflect differences <strong>in</strong> biographic impulse, narrative <strong>in</strong>tent <strong>and</strong><br />

cultural economy. Indeed, at the turn of the 21st century, as Tabata was turned <strong>in</strong>to a<br />

deceased political teacher, elder statesman, <strong>and</strong> family ancestor, the narratives <strong>and</strong><br />

mean<strong>in</strong>gs of his life history were contested <strong>in</strong> a variety of ways between <strong>in</strong>stitutions<br />

<strong>and</strong> sites. This suggests that there was a longer genealogy of biographical work <strong>and</strong><br />

biographical relations, through which Tabata was ‘produced’ <strong>in</strong> narrative terms<br />

under different conditions. It also <strong>in</strong>dicates a deeper layer<strong>in</strong>g of controversy <strong>and</strong><br />

contestation through which these productions were challenged. Here, we argue that<br />

it is the order <strong>and</strong> sequence of these biographic productions, relations <strong>and</strong> contests<br />

that need to be understood.<br />

Part Two of this dissertation is about the history of the idea of Isaac Bangani Tabata<br />

as a leader with a <strong>biography</strong>. It is concerned to underst<strong>and</strong> a fuller range of<br />

narrations of the life of this activist, <strong>in</strong>tellectual <strong>and</strong> writer associated with the<br />

Workers’ Party of <strong>South</strong> <strong>Africa</strong> (WPSA), the All <strong>Africa</strong>n Convention (AAC), the Non‐<br />

European Unity Movement (NEUM) <strong>and</strong> the <strong>Africa</strong>n People’s Democratic Union of<br />

<strong>South</strong>ern <strong>Africa</strong> (APDUSA). It is <strong>in</strong>terested to analyse the social <strong>and</strong> political lives of<br />

Isaac Bangani Tabata’s biographies <strong>and</strong> exam<strong>in</strong>e how these have been produced <strong>and</strong><br />

reproduced through <strong>and</strong> across quite varied mediums of history: through writ<strong>in</strong>g<br />

<strong>and</strong> visualisation; <strong>in</strong> the political movement <strong>and</strong> <strong>in</strong> the academy; through the politics<br />

of exile <strong>and</strong> <strong>in</strong> the doma<strong>in</strong> of commemoration; through the creation <strong>and</strong><br />

<strong>in</strong>stitutionalisation of an archival collection, <strong>and</strong> <strong>in</strong> the museum sett<strong>in</strong>g of heritage<br />

creation. My <strong>in</strong>terest also lies <strong>in</strong> try<strong>in</strong>g to comprehend the relations <strong>and</strong> conditions of<br />

production of these biographies, the circumstances of their reproduction <strong>and</strong><br />

cont<strong>in</strong>ued life, how they were put to work at different times, <strong>and</strong> the ways <strong>in</strong> which<br />

they were contested <strong>and</strong> contradicted. This study tries to explore new possibilities<br />

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