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The Individual, Auto/biography and History in South Africa

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Political <strong>biography</strong> emerged as a key aspect of this knowledge system, <strong>and</strong> narrations<br />

of I.B. Tabata’s political life, produced <strong>and</strong> projected with<strong>in</strong> particular biographic<br />

relations <strong>and</strong> under chang<strong>in</strong>g conditions, were at the centre of attempts to provide a<br />

historical basis for political claims. It was the written word <strong>and</strong> claims to authorship<br />

that provided the conditions of <strong>in</strong>dividuation, <strong>and</strong> served as the threshold of<br />

<strong>biography</strong>. <strong>The</strong> emergence of a politics of presidentialism out of a prior emphasis on<br />

collective leadership is also discernable <strong>in</strong> photographic depictions. As we shall see,<br />

Tabata’s long‐st<strong>and</strong><strong>in</strong>g association with Dora Taylor was the key relation through<br />

which biographic representations of his life were produced. This occurred <strong>in</strong> a<br />

borderl<strong>and</strong>, a transitional space between the public <strong>and</strong> the private, <strong>and</strong> the political<br />

<strong>and</strong> the personal that mirrored the cleavage between public <strong>and</strong> cl<strong>and</strong>est<strong>in</strong>e political<br />

activity.<br />

<strong>The</strong>se narrations were not without significant political contests <strong>and</strong> challenges, which<br />

co<strong>in</strong>cided with <strong>in</strong>creas<strong>in</strong>g fragility <strong>and</strong> tenuousness of the political movement. <strong>The</strong>se<br />

challenges were the consequence of relations of paternalism <strong>and</strong> patronage which<br />

Tabata had cultivated. This political arena was not the only sett<strong>in</strong>g <strong>in</strong> which Tabata’s<br />

<strong>biography</strong> was constructed <strong>and</strong> contested. His funeral <strong>in</strong> 1990 <strong>in</strong> Lesseyton, outside<br />

Queenstown <strong>in</strong> the Eastern Cape, unleashed a submerged Christian narration<br />

alongside a secular political one, as a weakened political movement was unable to<br />

assert a triumphant political narrative. <strong>The</strong>se issues of production <strong>and</strong> contestation <strong>in</strong><br />

the history of Tabata’s <strong>biography</strong> are the subject of exploration <strong>in</strong> Chapters Six, Seven<br />

<strong>and</strong> Eight.<br />

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