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The Individual, Auto/biography and History in South Africa

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leader of the Unity Movement with a significant political <strong>biography</strong>. Taylor’s biographic<br />

profiles <strong>and</strong> articles about Tabata, produced as part of the quest for funds <strong>and</strong> material<br />

support from <strong>in</strong>ternational sources, were absorbed <strong>in</strong>to the literature of the movement<br />

<strong>and</strong> acquired canonical status alongside Tabata’s writ<strong>in</strong>gs. Initiatives to republish<br />

Tabata’s works were accompanied by Taylor’s narrative of Tabata’s life. 108 <strong>The</strong> resistance<br />

narrative that these biographic texts conveyed was the product of the long history of<br />

mutual biographic conversations between Tabata <strong>and</strong> Taylor, <strong>and</strong> particularly of their<br />

co‐authored first‐person text. This biographic stage was also partly the product of a<br />

longer history of <strong>in</strong>dividuation that had emerged out of Tabata’s history of writ<strong>in</strong>g <strong>and</strong><br />

authorship. And this transition from biographic aversion to biographic narration was<br />

also depicted through the lens of the camera as collective leadership gave way to<br />

presidentialism.<br />

From the 1960s, the auto/biographical narrative of Tabata’s life seeped <strong>in</strong>to the ve<strong>in</strong>s of<br />

the movement, with concealed aspects of underground Trotskyist activism added when<br />

conditions allowed. Veneration of Tabata <strong>and</strong> know<strong>in</strong>g the biographical narrative of his<br />

political contribution became a vital element of political commitment with<strong>in</strong> the<br />

structures of UMSA. In the late 1960s <strong>and</strong> early 1970s, a presidential politics of an exiled<br />

national movement, centred on Tabata’s leadership <strong>and</strong> a biographically constructed<br />

sense of greatness, was consolidated. This co<strong>in</strong>cided with the movement’s <strong>in</strong>creas<strong>in</strong>g<br />

dislocation from political structures <strong>in</strong>side <strong>South</strong> <strong>Africa</strong>, under the impact of heightened<br />

levels of state repression. As a consequence, all the work of biographic mediation <strong>and</strong><br />

108 <strong>The</strong> result of all this effort was the unpublished manuscript, which sought to republish a range of<br />

Tabata’s writ<strong>in</strong>gs as a coherent whole, <strong>and</strong> that was edited by Dora Taylor, who also wrote the<br />

<strong>in</strong>troduction. UWC graduate student <strong>and</strong> Cape Town activist, André Marais, who had found the<br />

manuscript on a street with a pile of other papers, passed it on to me. See Dora Taylor (ed), <strong>The</strong><br />

Dynamic of Revolution <strong>in</strong> <strong>South</strong> <strong>Africa</strong>: Speeches <strong>and</strong> Writ<strong>in</strong>gs by I.B. Tabata (Unpublished manuscript,<br />

c.1969, <strong>in</strong> author’s possession). In 1971, Dora Taylor also sought to turn her <strong>in</strong>troduction to this<br />

unpublished text <strong>in</strong>to a separate pamphlet, whose focus was extended to <strong>in</strong>clude a report on the<br />

arrests of APDUSA members <strong>in</strong> 1971. This document was also found by Marais <strong>and</strong> passed on to me.<br />

See Nosipho Majeke, ‘<strong>The</strong> Dynamic of Revolution <strong>in</strong> <strong>South</strong> <strong>Africa</strong>’, Unpublished pamphlet, 1971<br />

(author’s possession).<br />

432

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