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The Individual, Auto/biography and History in South Africa

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Soon after this was published, Noel Solani, then a researcher at RIM who worked on<br />

the prison memory project, took issue with my analysis at a Cape Town conference,<br />

with good reason. Accord<strong>in</strong>g to Solani, I had overstated the significance of Cell Stories<br />

<strong>and</strong> the extent to which it represented an <strong>in</strong>terpretive departure. Solani’s argument<br />

was that <strong>in</strong> spite of its imag<strong>in</strong>ative <strong>and</strong> challeng<strong>in</strong>g nature, Cell Stories rema<strong>in</strong>ed firmly<br />

located with<strong>in</strong> “a national project of reconciliation”. “Visually <strong>and</strong> textually”, the<br />

exhibition displayed “people’s achievements while they were <strong>in</strong> prison without really<br />

problematis<strong>in</strong>g the contradictions <strong>and</strong> difficulties <strong>in</strong> which people achieved these”. It<br />

celebrated those “who succeeded while silenc<strong>in</strong>g the memory of hundreds [who did<br />

not]”. Indeed, Solani suggested, Cell Stories was no departure from the hegemonic<br />

narrative of the ‘triumph of the human spirit over adversity’. 6 Solani’s concerns had<br />

previously been expressed to me by former political prisoner, Vusi Nkumane, who had<br />

compla<strong>in</strong>ed that heritage <strong>in</strong>terpretation at Robben Isl<strong>and</strong> conta<strong>in</strong>ed no ‘blood’.<br />

In the conference exchange that followed, <strong>and</strong> <strong>in</strong> subsequent discussions, I have<br />

expressed my agreement with Solani’s argument, but argued that <strong>in</strong> the context of<br />

RIM, where the M<strong>and</strong>ela experience had been so prom<strong>in</strong>ent, Cell Stories needed<br />

strategic support <strong>in</strong> order to contribute to open<strong>in</strong>g up wider possibilities for critical<br />

debate over the mean<strong>in</strong>gs of political imprisonment. <strong>The</strong> work of the prison memories<br />

project more generally took some focus away from the tours department, whose work<br />

of site <strong>in</strong>terpretation with former political prisoners, seemed to place emphasis on B<br />

Section <strong>and</strong> the lime quarry, associated with the prison experience of political leaders.<br />

<strong>The</strong> contestation over the mean<strong>in</strong>g of political imprisonment also opened up space for<br />

question<strong>in</strong>g national heritage frameworks that had turned M<strong>and</strong>ela’s <strong>biography</strong> <strong>in</strong>to<br />

the national story. This exchange with my erstwhile student, who had gone on to be a<br />

museum researcher <strong>and</strong> public scholar <strong>in</strong> a national museum, showed how it was<br />

possible to stimulate critical debate <strong>and</strong> spaces of engagement <strong>in</strong> <strong>in</strong>stitutions of<br />

6 Noel Solani, ‘Representation of ex‐prisoner memories at Robben Isl<strong>and</strong> Museum’, paper<br />

presented to the <strong>in</strong>ternational conference, Memory <strong>and</strong> <strong>History</strong>: Remember<strong>in</strong>g, Forgett<strong>in</strong>g <strong>and</strong><br />

Forgiv<strong>in</strong>g <strong>in</strong> the life of the Nation <strong>and</strong> the Community, Cape Town, 9‐11 August 2000.<br />

506

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