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The Individual, Auto/biography and History in South Africa

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<strong>South</strong> <strong>Africa</strong>n public history. This took a variety of forms, aimed at diverse publics <strong>and</strong><br />

markets. Television became a visual arena for reveal<strong>in</strong>g histories of resistance previously<br />

‘suppressed’ <strong>in</strong> the public terra<strong>in</strong>. Video histories of <strong>South</strong> <strong>Africa</strong> screened on prime time<br />

television sought to reimage the visual codes of <strong>South</strong> <strong>Africa</strong>n national history <strong>and</strong> rewrite<br />

the script of the nation’s ‘transition to democracy’. With few exceptions, these<br />

documentaries took conventional forms of talk<strong>in</strong>g heads, focused on the stories, deeds <strong>and</strong><br />

adventures of <strong>in</strong>dividual leaders, generated through the medium of oral history on<br />

video. 11<br />

In addition, video biographies of significant personalities <strong>and</strong> key leaders, concentrat<strong>in</strong>g<br />

on the features of their leadership <strong>and</strong> their achievements <strong>in</strong> ‘lives of struggle’, were<br />

screened on television on a regular basis. Most focused on leaders associated with the<br />

ANC. Walter Sisulu, for <strong>in</strong>stance, was constructed as a stalwart of struggle <strong>and</strong> “father of<br />

the nation”, <strong>and</strong> Chief Albert Lutuli as a leader “of the country as a whole” <strong>in</strong><br />

documentary tributes, while Bram Fischer was presented as a beacon of non‐racialism<br />

with<strong>in</strong> Afrikanerdom. 12 Chris Hani’s life was memorialised for teenagers <strong>in</strong> an upbeat<br />

television presentation geared towards transmitt<strong>in</strong>g lessons on leadership <strong>and</strong><br />

achievement. 13 Biographical videos of Chris Hani were also distributed to the public<br />

through CNA alongside a National Geographic wildlife series <strong>and</strong> videos promot<strong>in</strong>g Cape<br />

Town to tourists. 14<br />

11 See for example, Ulibambe L<strong>in</strong>gashoni ‐ Hold up the Sun ‐ <strong>The</strong> ANC <strong>and</strong> Popular Power <strong>in</strong> the Mak<strong>in</strong>g,<br />

Directed by Lesley Lawson, Series Director, Lawrence Dwork<strong>in</strong>, Produced by Afravision, 1993. <strong>The</strong><br />

first two episodes were <strong>in</strong>itially screened on the pay‐channel, MNet <strong>and</strong> then aborted. Subsequently,<br />

the series was screened <strong>in</strong> full on SABC TV. <strong>The</strong> producers described it (on the video cover) as ʺa<br />

record of the resistance aga<strong>in</strong>st apartheid by the masses of <strong>South</strong> <strong>Africa</strong>ns” which “reveal[ed] ... the<br />

rich tapestry of <strong>South</strong> <strong>Africa</strong>n historyʺ. Another example was the documentary programme, Our<br />

Heroes (Produced for SABC2 by Phenyo Film <strong>and</strong> Television, n.d) which presented a history of<br />

resistance centred on uMkhonto we Sizwe <strong>and</strong> dedicated to “heroes” who fought for freedom “<strong>in</strong> our<br />

lifetime”. This programme was screened on Day of Reconciliation, 16 December 1997.<br />

12 Walter Sisulu: Father of the Nation, Produced <strong>and</strong> Directed by Beate Lipman, Current Affairs Films for<br />

Channel 1, SABC, 1996; Mayibuye Afrika: Chief Albert Lutuli ‐ his Story, Produced <strong>and</strong> Directed by<br />

Charlotte Owen <strong>and</strong> Peter Corbett, 1993; <strong>The</strong> Life of Bram Fischer, Produced by Jill Engelbrecht <strong>and</strong><br />

Maryanne de Villiers, c. 1995.<br />

13 Chris Hani: A Struggle, A Challenge (SABC, 1996).<br />

14 One significant example is <strong>The</strong> Life <strong>and</strong> Times of Chris Hani (Afravision/Safritel, 1994). An <strong>in</strong>terest<strong>in</strong>g<br />

exception was the biographic video of Govan Mbeki, Heart <strong>and</strong> Stone, made by Cape Town film maker,<br />

Bridget Thompson, which departed from the framework of cliography to focus on Mbeki <strong>in</strong> relation to<br />

198

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