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The Individual, Auto/biography and History in South Africa

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psychological characteristics” while <strong>in</strong> the pr<strong>in</strong>cipal text, Sextonʹs cultural <strong>and</strong> social<br />

descriptions have a more important place. 29<br />

Nisa has widely been seen as <strong>in</strong>novative <strong>in</strong> its use of life history <strong>and</strong> as an important<br />

example of polyphonic experimentation <strong>in</strong> ethnographic writ<strong>in</strong>g. 30 With this<br />

biographical project, there seems to have been a large degree of reflexivity, an<br />

underst<strong>and</strong><strong>in</strong>g of the peculiarities of an <strong>in</strong>terview as an <strong>in</strong>teraction between two people,<br />

each with “unique personality traits <strong>and</strong> <strong>in</strong>terests at a particular time of life” <strong>and</strong> the<br />

recognition on the part of Shostak that as an <strong>in</strong>terpreter, <strong>and</strong> through the ethnographic<br />

relationship, she had been an active participant <strong>in</strong> the shap<strong>in</strong>g of the personal narrative.<br />

<strong>The</strong>re was also an attempt to broaden the research base by <strong>in</strong>terview<strong>in</strong>g a wider range of<br />

women <strong>in</strong> order to compare Nisa’s experiences. Indeed <strong>in</strong> a self‐assessment by Shostak,<br />

she described her work an attempt to underst<strong>and</strong> “what it meant to be a woman <strong>in</strong> the<br />

!Kung culture” through the medium of life history <strong>and</strong> personal narrative. 31<br />

In spite of all this methodological awareness, Shostak’s account of Nisaʹs life has been<br />

criticised as a deeply flawed, very conventional work <strong>in</strong> which the <strong>in</strong>dividual is used<br />

pr<strong>in</strong>cipally as “the token of a type”. 32 <strong>The</strong> !Kung are presented as “one of the last<br />

rema<strong>in</strong><strong>in</strong>g gatherer‐hunter societies”, survivors of a prior age, isolated, traditional <strong>and</strong><br />

racially dist<strong>in</strong>ct, with quite a recent experience of “culture change”. In an exoticised<br />

portrait of ‘the other’, Shostak enters <strong>in</strong>to a world seem<strong>in</strong>gly frozen <strong>in</strong> time <strong>in</strong> order to<br />

listen to women’s voices, which may reveal “what their lives had been like for<br />

generations, possibly even for thous<strong>and</strong>s of years”. 33 This uncritically primordial<br />

account of !Kung social life was <strong>in</strong>fluenced ma<strong>in</strong>ly by the anthropological work of<br />

29 V<strong>in</strong>cent Crapanzano, ‘Life‐Histories’, p 954‐955.<br />

30 See for example George E Marcus <strong>and</strong> Michael M J Fisher, Anthropology as Cultural Critique: An<br />

Experimental Moment <strong>in</strong> the Human Sciences (Chicago: University of Chicago Press, 1986), pp 58‐59; James<br />

Clifford, <strong>The</strong> Predicament of Culture (Cambridge, Massachussetts: Harvard University Press, 1988), p 42.<br />

31 Marjorie Shostak, ‘ʺWhat the W<strong>in</strong>d Wonʹt Take Awayʺ: <strong>The</strong> Genesis of Nisa ‐ <strong>The</strong> Life <strong>and</strong> Words of a<br />

!Kung Woman’, <strong>in</strong> Personal Narratives Group (eds), Interpret<strong>in</strong>g Womenʹs Lives: Fem<strong>in</strong>ist <strong>The</strong>ory <strong>and</strong><br />

Personal Narratives (Bloom<strong>in</strong>gton: Indiana University Press, 1989), pp 228‐240.<br />

32 See the critique by Akhil Gupta <strong>and</strong> James Ferguson, ‘Beyond ʺCultureʺ: Space, Identity <strong>and</strong> the Politics<br />

of Difference’, Cultural Anthropology, 7, 1, 1992, especially pp 14‐16.<br />

33 Marjorie Shostak, Nisa, pp 4‐6.<br />

20

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