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The Individual, Auto/biography and History in South Africa

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eat<strong>in</strong>g breakfast <strong>and</strong> even shav<strong>in</strong>g amid scenes <strong>in</strong> which he relates “amus<strong>in</strong>g” <strong>and</strong><br />

“mov<strong>in</strong>g” anecdotes about his life. 210 Alongside the familiar chronological narrative of<br />

M<strong>and</strong>ela’s life as one of courage, strength, determ<strong>in</strong>ation <strong>and</strong> reconciliation, scenes of<br />

imtimacy, familiarity <strong>and</strong> charm served to re<strong>in</strong>force the image of M<strong>and</strong>ela as father of the<br />

national family<br />

Another television documentary was released <strong>in</strong> 1999 as M<strong>and</strong>ela prepared to step down<br />

as president. <strong>The</strong> Long Walk of Nelson M<strong>and</strong>ela, a two hour programme told the story of<br />

“the man beh<strong>in</strong>d the myth”, <strong>and</strong> tried to exam<strong>in</strong>e M<strong>and</strong>ela’s “character, leadership <strong>and</strong><br />

life’s method” through “<strong>in</strong>timate recollections” with his friends, political colleagues <strong>and</strong><br />

adversaries, as well as Robben Isl<strong>and</strong> prisoners <strong>and</strong> jailers. <strong>The</strong> two‐hour long<br />

programme, also screened <strong>in</strong> two one‐hour portions, was made to be screened on PBS’s<br />

Frontl<strong>in</strong>e, the premiere public affairs documentary platform <strong>in</strong> the United States. While<br />

some remembered the young M<strong>and</strong>ela as hav<strong>in</strong>g had “quite an early sense of his own<br />

historic dest<strong>in</strong>y”, the film explored ‐ draw<strong>in</strong>g on Anthony Sampson’s argument ‐ how he<br />

“transformed himself <strong>in</strong> prison” <strong>in</strong>to “a mature leader <strong>and</strong> statesman”. Interviews with<br />

biographers Sampson <strong>and</strong> Richard Stengel served to illum<strong>in</strong>ate what had “separate[d]”<br />

M<strong>and</strong>ela from ord<strong>in</strong>ary people (“his s<strong>in</strong>gular pursuit of his life’s mission, his unwaver<strong>in</strong>g<br />

moral certitude, his own sense of dest<strong>in</strong>y”), as well as “what made him like the rest of us”<br />

(his “vanity, his anger, his stubbornness”). 211<br />

Feature films about M<strong>and</strong>ela’s life were also produced. One starr<strong>in</strong>g Sidney Poitier as<br />

M<strong>and</strong>ela <strong>and</strong> Michael Ca<strong>in</strong>e as F.W. de Klerk was shot <strong>in</strong> <strong>South</strong> <strong>Africa</strong> dur<strong>in</strong>g 1996, <strong>and</strong><br />

released under the title M<strong>and</strong>ela <strong>and</strong> De Klerk on cable television <strong>in</strong> the United States <strong>in</strong><br />

early 1997. Hurriedly made, cost<strong>in</strong>g only $5‐million, <strong>and</strong> rely<strong>in</strong>g to a large extent on<br />

newsreel footage, the film was reviewed as “not an <strong>in</strong>spired piece of film mak<strong>in</strong>g” <strong>and</strong> a<br />

“cheap walk to cable TV”. This would have been pleas<strong>in</strong>g to <strong>South</strong> <strong>Africa</strong>n filmmaker<br />

210 Cape Times, 23 October 1996.<br />

211 <strong>The</strong> Long Walk of Nelson M<strong>and</strong>ela (Produced by David Fann<strong>in</strong>g <strong>and</strong> Indra deLanerolle for Unapix<br />

Enterta<strong>in</strong>ment, Story Street Productions <strong>and</strong> Films2People, Directed by Cliff Bestall, 1999). See the US<br />

PBS website, . Interest<strong>in</strong>gly, Stengel was acknowledged <strong>in</strong> the<br />

production as a M<strong>and</strong>ela biographer <strong>and</strong> “co‐author” of M<strong>and</strong>ela’s memoirs.<br />

264

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