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The Individual, Auto/biography and History in South Africa

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leader, Bill Andrews. 58 Written from different political perspectives, these<br />

auto/biographies focused on the lives of resistance leaders, rang<strong>in</strong>g from Albert Luthuli<br />

<strong>and</strong> Clements Kadalie to Johnny Gomas <strong>and</strong> Moses Mayekiso. 59 <strong>The</strong>y presented partisan<br />

stories of nationalist or socialist resistance politics, or narratives of political or trade union<br />

organis<strong>in</strong>g. Each set out to expla<strong>in</strong> or justify a set of political decisions, or to construct<br />

their subject as supportive of particular political strategies.<br />

In many cases, the process of production was significant. Some were constructed as<br />

biographic memoirs <strong>in</strong>volv<strong>in</strong>g the <strong>in</strong>tervention of amanuenses. An example of such an<br />

auto/<strong>biography</strong> was the account of Albert Luthuli’s life, Let My People Go: An<br />

<strong>Auto</strong><strong>biography</strong>. Charles <strong>and</strong> Sheila Hooper, whom Luthuli described as his “amanuenses”<br />

were deeply <strong>in</strong>volved <strong>in</strong> every stage of the production of this text. Each made<br />

“<strong>in</strong>dependent records” from dictation by Luthuli. <strong>The</strong>se were then reassembled <strong>and</strong><br />

“arranged ... chronologically” to comprise a first draft of the book. To this Luthuli added<br />

his “afterthoughts” <strong>and</strong> “occasional corrections”. 60<br />

Another example of collaborative authorship <strong>in</strong> the creation of an auto/biographic text of<br />

the experience of apartheid repression was the book produced by Indres Naidoo <strong>and</strong><br />

Albie Sachs about conditions of Robben Isl<strong>and</strong>. It was necessary “to convey the mean<strong>in</strong>g<br />

of Robben Isl<strong>and</strong> through the experiences of one prisoner told extensively <strong>and</strong><br />

concretely”. In order to “f<strong>in</strong>ish the story as soon as possible”, to “do justice to it”, while<br />

mak<strong>in</strong>g it “as accurate <strong>and</strong> readable as possible”, Sachs <strong>and</strong> Naidoo worked together<br />

“dur<strong>in</strong>g [their] spare moments, work<strong>in</strong>g at nights <strong>and</strong> over weekends”. Together, they<br />

58 R.K. Cope, Comrade Bill: <strong>The</strong> Life <strong>and</strong> Times of W H Andrews, Workersʹ Leader, Cape Town: Stewart<br />

Pr<strong>in</strong>t<strong>in</strong>g Company, c.1943.<br />

59 <strong>The</strong>se auto/biographies <strong>in</strong>cluded Albert Luthuli, Let My People Go: An <strong>Auto</strong><strong>biography</strong>, Glasgow:<br />

Coll<strong>in</strong>s Fount Paperbacks, 1987 (First published <strong>in</strong> 1962); Clements Kadalie, My Life <strong>and</strong> the ICU: <strong>The</strong><br />

<strong>Auto</strong><strong>biography</strong> of a Black Trade Unionist, London, 1970; Helen Joseph, Side by Side, London: Zed Books,<br />

1986; Labour <strong>and</strong> Community Resources Project (LACOM), Comrade Moss, Johannesburg: Learn <strong>and</strong><br />

Teach Publications, 1989; Doreen Musson, Johnny Gomas: Voice of the Work<strong>in</strong>g Class. A Political<br />

Biography, Cape Town: Buchu Books, 1989. See also the biographical essay by Ray Alex<strong>and</strong>er, ‘Johnny<br />

Gomas as I Knew Him’, <strong>South</strong> <strong>Africa</strong>n Labour Bullet<strong>in</strong>, Vol 15, No 5, January 1991, which fiercely<br />

contested Musson’s characterisations.<br />

60 Albert Luthuli, Let My People Go, p 15.<br />

210

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