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The Individual, Auto/biography and History in South Africa

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national heritage, even when those exchanges expressed criticism of dom<strong>in</strong>ant heritage<br />

<strong>in</strong>terpretations.<br />

On a three or four occasions <strong>in</strong> 2000, soon after I had been appo<strong>in</strong>ted to SAHRA’s<br />

Council, I found myself summoned to the Umtata <strong>and</strong> Mvezo sites of the Nelson<br />

M<strong>and</strong>ela Museum along with M<strong>and</strong>ela biographic researcher <strong>and</strong> my fellow<br />

councillor, Luli Call<strong>in</strong>icos, <strong>in</strong> order to prevent the seem<strong>in</strong>g destruction of part of the<br />

material rema<strong>in</strong>s of the homestead where M<strong>and</strong>ela had been born. <strong>The</strong> museum was <strong>in</strong><br />

its <strong>in</strong>itial stages of development, an exhibition had just been <strong>in</strong>stalled by a curatorial<br />

consultancy at the Bhunga build<strong>in</strong>g <strong>in</strong> Umtata, <strong>and</strong> the M<strong>and</strong>ela gifts had been put on<br />

display. In this start‐up phase, considerable emphasis was be<strong>in</strong>g placed by the project<br />

manager <strong>and</strong> DACST on <strong>in</strong>frastructural development that needed to be completed<br />

with<strong>in</strong> rigid budget cycles. <strong>The</strong> Museum Council had begun to meet <strong>and</strong> to acqua<strong>in</strong>t<br />

itself with its responsibilities, the M<strong>and</strong>ela family representatives on the Council had<br />

not been able to attend many meet<strong>in</strong>gs, <strong>and</strong> some oral history tra<strong>in</strong><strong>in</strong>g was happen<strong>in</strong>g<br />

with volunteers from Qunu <strong>in</strong> preparation for oral history research on M<strong>and</strong>ela’s<br />

childhood <strong>in</strong> Qunu. 7<br />

In this uncerta<strong>in</strong> sett<strong>in</strong>g, plans began to be executed to create a raised walkway across<br />

the centre of the Mvezo homestead, <strong>and</strong> <strong>in</strong> the process, the project manager had<br />

authorised holes to be dug through the homestead <strong>in</strong> preparation for build<strong>in</strong>g the<br />

7 As was our practice, Luli Call<strong>in</strong>icos <strong>and</strong> I used the opportunity to talk about the progress of the<br />

various heritage projects we were work<strong>in</strong>g with. <strong>The</strong>se discussions followed on from the<br />

exchanges we once had on national television about biographies of leaders <strong>and</strong> history from<br />

below (see Chapter Three). Some of our discussions were about Nelson M<strong>and</strong>ela’s visits to District<br />

Six <strong>in</strong> the late 1940s, <strong>and</strong> more generally about the progress of her manuscript on the M<strong>and</strong>ela<br />

trail, as well as her study of Oliver Tambo’s life. Among the issues we discussed was her research<br />

on the decision by Oliver Tambo <strong>and</strong> the ANC <strong>in</strong> the mid‐1960s to ‘build up’ M<strong>and</strong>ela as a<br />

figurehead to galvanise anti‐apartheid solidarity work. It also seemed that <strong>in</strong> the preparation of<br />

her M<strong>and</strong>ela manuscript for publication, some material needed to be cut, <strong>and</strong> that her valuable<br />

section on M<strong>and</strong>ela’s “grow<strong>in</strong>g reputation” was be<strong>in</strong>g considered as a sacrificial possibility. I<br />

would like to th<strong>in</strong>k that the urg<strong>in</strong>gs I made on the importance of this section contributed <strong>in</strong> some<br />

small measure to its retention <strong>in</strong> the book (See Luli Call<strong>in</strong>icos, <strong>The</strong> World that Made M<strong>and</strong>ela). Later,<br />

the book had its Cape Town launch <strong>in</strong> the District Six Museum, at which I was asked to be the<br />

host on behalf of the Museum to <strong>in</strong>troduce Albie Sachs, who was the ma<strong>in</strong> speaker.<br />

507

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