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The Individual, Auto/biography and History in South Africa

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length, <strong>and</strong> were widely circulated <strong>in</strong> an official ‘Guide to the Heroes Acre’ <strong>in</strong> the media<br />

<strong>and</strong> at ceremonial commemorations. 74<br />

To challenge this official narration of national history as the <strong>biography</strong> of chosen heroes,<br />

excluded ex‐combatants organised oppositional funerals for the banished, <strong>and</strong><br />

celebrated the lives of excluded dead heroes through the political critique of public<br />

oratory. <strong>The</strong>y built shr<strong>in</strong>es <strong>and</strong> marked the sites where their comrades had fallen,<br />

creat<strong>in</strong>g an oppositional memorial l<strong>and</strong>scape, “an alternative imag<strong>in</strong>ary nationhood, not<br />

elitist but popular”. And they mourned those murdered by the postcolonial state, who<br />

lay <strong>in</strong> unmarked mass graves, <strong>in</strong> an “imposed namelessness” <strong>and</strong> “censored beyond<br />

commemoration”, but who represented “a memorial <strong>in</strong> the mak<strong>in</strong>g”. Public biographical<br />

production emerged as a key feature of the Zimbabwean memorial complex, as rival<br />

claims were made on the boundaries of the nation <strong>and</strong> the narratives of its history. 75<br />

‘Postwars of the dead’ <strong>in</strong> other <strong>Africa</strong>n postcolonies have also seen the entry of the<br />

memorial logics of modernity. <strong>The</strong> memorial complex of material <strong>in</strong>frastructure,<br />

sculptural art <strong>and</strong> adm<strong>in</strong>istrative processes has given shape <strong>and</strong> form to the political<br />

imag<strong>in</strong><strong>in</strong>gs of nationalism, <strong>and</strong> its search for a heroic narrative of the nation. In Namibia,<br />

part of the cultural formation of the nation after <strong>in</strong>dependence also entailed the<br />

construction of a Heroes Acre, along the l<strong>in</strong>es of the Zimbabwe model. In Kenya <strong>in</strong> 2003,<br />

as part of an attempt to overhaul its public image <strong>and</strong> to re<strong>in</strong>scribe the nation, the new<br />

National Ra<strong>in</strong>bow Coalition government announced its decision to locate <strong>and</strong> exhume<br />

the rema<strong>in</strong>s of Mau Mau leader Dedan Kimathi from a mass grave, <strong>and</strong> give him a<br />

“hero’s burial”. In a belated ‘postwar of the dead’ <strong>and</strong> <strong>in</strong> spite of opposition from white<br />

settlers who had survived the violent Mau Mau rebellion of the 1950s, this state burial<br />

would see Kimathi restored to a position of national hero <strong>in</strong> the official memorial<br />

l<strong>and</strong>scape. <strong>The</strong> anniversary of Kimathi’s death was also commemorated with tree‐<br />

plant<strong>in</strong>g ceremonies <strong>in</strong> the area where he was arrested. 76<br />

74 Richard Werbner, ‘Smoke from the Barrel of a Gun’, pp 82‐88.<br />

75 Richard Werbner, ‘Smoke from the Barrel of a Gun’, pp 91‐99.<br />

76 Sunday Times, 16/2/03.<br />

77

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