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The Individual, Auto/biography and History in South Africa

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the centre of important events. Van der Post is exposed by Jones as a “charm<strong>in</strong>g<br />

drunkard”, who “deserted his first wife <strong>and</strong> offspr<strong>in</strong>g”, <strong>and</strong> who went through life as “a<br />

serial seducer of ever younger women”. 21<br />

While reactions to Jones’ <strong>biography</strong> of Van der Post were expressed ma<strong>in</strong>ly <strong>in</strong> the public<br />

doma<strong>in</strong> of newspapers <strong>and</strong> magaz<strong>in</strong>es, some reference was also made, <strong>in</strong> pass<strong>in</strong>g, to<br />

academic assessments of the value of Van der Post’s writ<strong>in</strong>g. While some reviewers lost<br />

sympathy for Jones’ “tactics”, which made “maximum sensation of a basically gutter‐<br />

press procedure”, others found it “meticulously researched <strong>and</strong> carefully written”. 22 Far<br />

more significant though, was the reaction by Van der Post’s daughter, Lucia, who had<br />

commissioned Jones <strong>in</strong> the first place. Lucia van der Post revealed that Jones had been<br />

engaged as her father’s biographer <strong>in</strong> order to pre‐empt the “grubby, speculative pens of<br />

sensation‐mongers”, some of who had been “circl<strong>in</strong>g like vultures”. 23<br />

In response to Jones’ charges of deceit <strong>and</strong> lies, Lucia van der Post referred to the<br />

“mythical dimension” <strong>and</strong> “poetic force” of everyth<strong>in</strong>g her father had come across. Her<br />

father saw life <strong>in</strong> “poetic” terms <strong>and</strong> spoke a “poetic truth”, not merely a literal one. Van<br />

der Post’s life, for his daughter “couldn’t be understood by the m<strong>in</strong>d”. Instead, it<br />

“required imag<strong>in</strong>ation”. Her father had made mistakes, “but the mistakes weren’t the<br />

whole of his life”. To “div<strong>in</strong>e what moves <strong>and</strong> motivates” people required “more than a<br />

long reiteration of facts”, <strong>and</strong> “more than puritanical censoriousness”. Instead,<br />

biographers needed a “generous spirit”, a “will<strong>in</strong>gness to enter the heart <strong>and</strong> m<strong>in</strong>d of<br />

another” <strong>and</strong> read<strong>in</strong>ess “to give the subject the benefit of any doubt”. For Lucia van der<br />

Post, JDF Jones had “failed to grasp” her father’s “magic”. 24<br />

21 Stephen Gray, ‘A dither<strong>in</strong>g fibber’; Tom Lodge, ‘Van der Post – adventurer, hero, Jungian – <strong>and</strong><br />

a nasty piece of work’.<br />

22 Stephen Gray, ‘A dither<strong>in</strong>g fibber’; Tom Lodge, ‘Van der Post – adventurer, hero, Jungian – <strong>and</strong><br />

a nasty piece of work’.<br />

23 Lucia van der Post, ‘My father, the storyteller’.<br />

24 Lucia van der Post, ‘My father, the storyteller’.<br />

57

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