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The Individual, Auto/biography and History in South Africa

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to the biographic constructions <strong>and</strong> contests over mean<strong>in</strong>g that have characterised<br />

the doma<strong>in</strong> of memorials <strong>and</strong> exhibitions. 63<br />

In most approaches to <strong>biography</strong> that can broadly be labelled ‘traditional’ or<br />

conventional, the emphasis had been on stable <strong>in</strong>dividuality, self‐determ<strong>in</strong>ation,<br />

rational choice <strong>and</strong> the “autonomous, act<strong>in</strong>g <strong>in</strong>dividual”. 64 Up to the 1970s <strong>and</strong><br />

1980s, the career of <strong>biography</strong> with<strong>in</strong> the discipl<strong>in</strong>es of sociology, anthropology as<br />

well as <strong>in</strong> history was largely one devoid of reflexive, theoretical explanation <strong>and</strong><br />

analytical <strong>in</strong>vestigation of subjectivity <strong>and</strong> the production of lives. It is not surpris<strong>in</strong>g<br />

that <strong>biography</strong> occupied an ambiguous place with<strong>in</strong> the social sciences <strong>and</strong> history,<br />

<strong>and</strong> that its most prom<strong>in</strong>ent forms of expression have been <strong>in</strong> the public doma<strong>in</strong> as<br />

lives of greatness or as exposé texts, which sought the truth of real lives. Beh<strong>in</strong>d<br />

these biographical efforts lay an untheorised category of the <strong>in</strong>dividual whose<br />

existence was largely taken for granted, whose identity was given, <strong>and</strong> just needed<br />

to be grown <strong>in</strong>to <strong>and</strong> the dest<strong>in</strong>y found. <strong>The</strong> relationship of the <strong>in</strong>dividual with the<br />

social was read through notions either of uniqueness <strong>and</strong> natural greatness or, as we<br />

shall see, of typicality <strong>and</strong> representativeness.<br />

Conventional <strong>biography</strong> <strong>and</strong> the ‘biographical illusion’<br />

Conventional <strong>biography</strong> consisted of identification with <strong>and</strong> celebration of achievement,<br />

<strong>and</strong> sought to plot the growth <strong>and</strong> development of the awareness <strong>and</strong> power of the<br />

‘biographee’, celebrat<strong>in</strong>g the assumed consistency <strong>and</strong> coherence of character <strong>and</strong><br />

selfhood. It focussed on events rather than experience. 65 Selected moments deemed to be<br />

significant ‐ usually centred on achievement ‐ were arranged <strong>in</strong> some chronological<br />

order, follow<strong>in</strong>g the l<strong>in</strong>ear trajectory of the <strong>in</strong>dividual’s development. In a search for<br />

orig<strong>in</strong>s <strong>and</strong> processes of causation, foundational moments <strong>in</strong> the formation of aspects of<br />

the <strong>in</strong>dividual’s life were sought. <strong>The</strong>se were narrated <strong>in</strong>to a plot of progress <strong>and</strong><br />

63 See Chapter Two.<br />

64 Mary Rhiel <strong>and</strong> David Suchoff, ‘Introduction: <strong>The</strong> Seductions of Biography’, <strong>in</strong> Mary Rhiel <strong>and</strong> David<br />

Suchoff (eds), <strong>The</strong> Seductions of Biography, New York <strong>and</strong> London, 1996, pp 2‐4.<br />

65 <strong>The</strong> area of psycho‐<strong>biography</strong> is perhaps an exception.<br />

27

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