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The Individual, Auto/biography and History in South Africa

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the centre of <strong>South</strong> <strong>Africa</strong>n history as well as <strong>in</strong>formal citizenship tra<strong>in</strong><strong>in</strong>g for<br />

schoolchildren.<br />

Resistance <strong>biography</strong> was a feature of the organisation <strong>and</strong> development of the Mayibuye<br />

Centre’s archive as well. This took the form of collections of personal papers of activists,<br />

consist<strong>in</strong>g of correspondence, manuscripts, documents <strong>and</strong> other materials that were<br />

compiled, ordered <strong>and</strong> catalogued. More than simply objective documentary records,<br />

these collections could be seen as forms of <strong>biography</strong> that conta<strong>in</strong>ed narratives of<br />

resistance lives <strong>and</strong> reflected different stages of <strong>in</strong>tervention <strong>and</strong> strategies of<br />

production. 33 It may be the case that the Mayibuye Centre was no different from other<br />

archives more generally, <strong>in</strong> which collections based on personal papers were a time‐<br />

hallowed orthodoxy. Indeed, it is <strong>in</strong>terest<strong>in</strong>g to note the extent to which <strong>biography</strong> may lie<br />

at the heart of the archive <strong>in</strong> general. 34 After embark<strong>in</strong>g on projects to turn resistance<br />

archives <strong>in</strong>to digital products, the Mayibuye Centre also planned to take their collections<br />

<strong>in</strong> political <strong>biography</strong> <strong>in</strong>to the multimedia realm. 35<br />

In the early to mid‐1990s, the <strong>South</strong> <strong>Africa</strong>n read<strong>in</strong>g public, especially young schoolgoers,<br />

were also served with a popular history series based largely on political <strong>biography</strong>.<br />

Presented as a historical recovery <strong>and</strong> restoration <strong>in</strong>itiative, booklets <strong>in</strong> the series entitled<br />

<strong>The</strong>y Fought for Freedom focussed on Sol Plaatje, Z.K. Matthews, Yusuf Dadoo, Moh<strong>and</strong>as<br />

G<strong>and</strong>hi, Oliver Tambo, Helen Joseph, Steve Biko, Dora Tamana <strong>and</strong> Chris Hani among<br />

others. More than twenty publications were planned <strong>in</strong> this series. <strong>Individual</strong>ly <strong>and</strong> taken<br />

33 See, for example, ‘Ahmed Kathrada Collection’, Compiled by Kier Schur<strong>in</strong>ga (Mayibuye Centre<br />

Catalogues No 9, 1995) <strong>and</strong> ‘Dr Yusuf Mohamed Dadoo Personal Papers’, Compiled by Peter Limb<br />

(Mayibuye Centre Catalogues No 15, 1995).<br />

34 Although some attention is given to presence of autobiographical texts <strong>in</strong> archives, this conceptual<br />

issue of the organisation of archives is surpris<strong>in</strong>gly not a focus of analysis <strong>in</strong> Carolyn Hamilton et al<br />

(eds), Refigur<strong>in</strong>g the Archive.<br />

35 See the monumental CD‐ROM series, Apartheid <strong>and</strong> the <strong>History</strong> of the Struggle for Freedom <strong>in</strong> <strong>South</strong><br />

<strong>Africa</strong>. This CD‐ROM publication was available either as a “Concise <strong>History</strong>”, with material selected<br />

especially as a “Home Edition”, or as a “Comprehensive <strong>History</strong>” formatted either as an “Academic<br />

Edition” or “Library Edition”. (‘Quick Facts: Apartheid <strong>and</strong> the <strong>History</strong> of the Struggle for Freedom <strong>in</strong> <strong>South</strong><br />

<strong>Africa</strong>’, Mayibuye CD‐ROM Publications, October 1995 [Pamphlet]). In 1996, the Mayibuye Centre was<br />

also plann<strong>in</strong>g a CD‐ROM production on the life of Walter Sisulu, <strong>in</strong>corporat<strong>in</strong>g animation <strong>and</strong> hours<br />

of recorded oral history.<br />

203

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